Michael Nyman's ' "Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster" was released on its scheduled release date, January 1, 2004. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "The Draughtsman's Contract: Music From The Motion Picture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster by Michael Nyman having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Major | 5 | 9B | 143 BPM | ||
| Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 70 BPM | ||
| Van Den Budenmayer (Funeral Music) - Winds | Zbigniew Preisner | G Minor | 0 | 6A | 72 BPM | ||
| Götterdämmerung / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 68 BPM | ||
| Wheelbarrow Walk | Michael Nyman | C Major | 3 | 8B | 144 BPM | ||
| Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
| II. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 68 BPM | ||
| The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
| Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Hae Won Chang, Camerata Cassovia, Robert Stankovsky | A♭ Major | 0 | 4B | 128 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
| The Disposition Of The Linen - 2004 Digital Remaster | Michael Nyman | C Major | 5 | 8B | 135 BPM | ||
| Funeral of Queen Mary (Main Title from "A Clockwork Orange") | Hollywood Symphony Orchestra | C Minor | 2 | 5A | 137 BPM | ||
| Nocturne, B. 49: Lento con gran espressione in C-Sharp Minor | Frédéric Chopin, Janusz Olejniczak | D♭ Major | 0 | 3B | 94 BPM | ||
| Gnossiennes: 1. Lent | Erik Satie, Lang Lang | C Major | 0 | 8B | 96 BPM | ||
| Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM | ||
| The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
| The Three Themes (From 'Mon Oncle') | Alain Romans, Franck barcellini | E♭ Major | 3 | 5B | 92 BPM | ||
| Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Mstislav Rostropovich | G Major | 1 | 9B | 91 BPM | ||
| Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Grave Assai - Fandango | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 2 | 11B | 115 BPM | ||
| Hable con ella | Alberto Iglesias | A Minor | 2 | 8A | 107 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 141 BPM | ||
| India Song (orchestre) | Carlos D'Alessio | B♭ Major | 1 | 6B | 87 BPM | ||
| The Days Go By | Max Richter | C Minor | 1 | 5A | 132 BPM | ||
| Perpetuum Mobile | Penguin Cafe Orchestra | C Major | 3 | 8B | 165 BPM |