"A Time to Dance: XXIV. Lights Out" by Alec Roth, Ex Cathedra, Jeffrey Skidmore had its release date on January 29, 2016. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 24 out of 29 in Alec Roth: A Time to Dance & Other Choral Works by Alec Roth, Ex Cathedra, Jeffrey Skidmore. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, A Time to Dance: XXIV. Lights Out's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Time to Dance: XXIV. Lights Out by Alec Roth, Ex Cathedra, Jeffrey Skidmore is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
| Evensong Mvt. 1 | Evan Byler, Rachael Lofgren, Cantate Domino, Seth Bergey | E♭ Major | 1 | 5B | 135 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
| Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
| Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | ||
| The Joy of the New Year | The Choir of All Saints' Episcopal Church | F♯ Minor | 1 | 11A | 139 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | F♯ Major | 0 | 2B | 144 BPM | ||
| Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | F♯ Major | 0 | 2B | 144 BPM | ||
| Angelus ad pastores ait | Andrea Gabrieli, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Vespers (All-Night Vigil), Op. 37: III. Blessed Be the Man | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | B♭ Major | 0 | 6B | 79 BPM | ||
| Other Earths and Skies: No. 2, A Song of Qiu-pu | Alec Roth, Hugo Hymas, Nicholas Daniel | E Minor | 2 | 9A | 100 BPM | ||
| Vespers (All-Night Vigil), Op. 37: XIV. Christ Is Risen from the Grave (Troparia of the Resurrection) | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 0 | 8B | 124 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| I Need Thee Every Hour | Laudate Mennonite Ensemble | F Minor | 0 | 4A | 79 BPM | ||
| Mass for Double Choir: Agnus Dei | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Minor | 0 | 9A | 76 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | F♯ Major | 0 | 2B | 144 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| The Traveller: III. Youth (No Fire like Passion) [Radio Edit] | Alec Roth, Mark Padmore, Philippe Honoré, Vayu Naidu, Ex Cathedra, Britten Sinfonia, Jeffrey Skidmore | E Minor | 3 | 9A | 70 BPM | ||
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |