Florence Beatrice Price, Calefax Reed Quintet's 'Suite No. 1 for Organ (Arr. for Reed Quintet by Jelte Althuis): II. Fughetta' had a release date set for November 21, 2025. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Organisms". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Suite No. 1 for Organ (Arr. for Reed Quintet by Jelte Althuis): II. Fughetta is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite No. 1 for Organ (Arr. for Reed Quintet by Jelte Althuis): II. Fughetta by Florence Beatrice Price, Calefax Reed Quintet having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
| Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Mark Elder, Hallé | E Major | 0 | 12B | 91 BPM | ||
| L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
| Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Symphony No. 1, "Afro-american": Iv. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony | F♯ Major | 0 | 2B | 141 BPM | ||
| Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
| Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM | ||
| Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Gymnopedie No.1 | Die 12 Cellisten der Berliner Philharmoniker | G Major | 1 | 9B | 81 BPM | ||
| Beau soir, CD 84 (Performed on Harp & Saxophone) | Claude Debussy, Alis Huws, Jess Gillam | F♯ Minor | 0 | 11A | 88 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| 3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
| Hilda's Waltz | Florence Beatrice Price, Michael Clark | G Major | 1 | 9B | 141 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM |