"Let's Leave This Town" by Chip Taylor, Carrie Rodriguez had its release date on 2002. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Chip Taylor, Carrie Rodriguez's "Let's Leave This Town" album is number 5 out of 12. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Let's Leave This Town's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let's Leave This Town by Chip Taylor, Carrie Rodriguez to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let the Mystery Be | Greg Brown | B♭ Major | 6 | 6B | 73 BPM | ||
| East Virginia Blues | Robert Earl Keen | E Major | 5 | 12B | 166 BPM | ||
| Saving the Good Stuff for You | Richard Thompson | E Major | 3 | 12B | 79 BPM | ||
| The Mountain | Levon Helm | G Major | 8 | 9B | 129 BPM | ||
| You Never Even Call Me By My Name | Steve Goodman | C Minor | 7 | 5A | 118 BPM | ||
| What Do We Do Now | John Hiatt | D Major | 3 | 10B | 130 BPM | ||
| The Hell With Her | Chip Taylor | D Major | 1 | 10B | 124 BPM | ||
| Farewell Angelina | Tim O'Brien | A Major | 2 | 11B | 134 BPM | ||
| Learning How to Love Him | Amanda Anne Platt & the Honeycutters | C Major | 2 | 8B | 128 BPM | ||
| It's Gonna Be a Long Night | Shannon McNally | D Major | 7 | 10B | 147 BPM | ||
| Remember Me | The Little Willies | B♭ Major | 2 | 6B | 52 BPM | ||
| You're Dreaming | The Cactus Blossoms | C Major | 3 | 8B | 102 BPM | ||
| It Was a Train | Otis Gibbs | B Minor | 5 | 10A | 104 BPM | ||
| Bottom Of The World | Alejandro Escovedo | D Major | 7 | 10B | 126 BPM | ||
| Maybe We'll Just Disappear | Kimmie Rhodes | C Major | 2 | 8B | 121 BPM | ||
| Extra | Chip Taylor, Carrie Rodriguez | B♭ Major | 2 | 6B | 129 BPM | ||
| Last Of The Hobo Kings | Mary Gauthier | D♭ Major | 5 | 3B | 83 BPM | ||
| You Can't Fail Me Now | Loudon Wainwright III | D Major | 4 | 10B | 119 BPM | ||
| Borderline | Eliza Gilkyson | E Major | 5 | 12B | 151 BPM | ||
| Real Good on My Own | Tift Merritt | A Major | 1 | 11B | 71 BPM | ||
| I Been a Train | Ray Bonneville | A Major | 3 | 11B | 111 BPM | ||
| In The Real West | Tish Hinojosa | A Major | 3 | 11B | 138 BPM | ||
| The River Knows Your Name | John Hiatt | F Major | 3 | 7B | 125 BPM | ||
| Bring it Back to Me | JP Watkins, Jon Chadwick | A Major | 4 | 11B | 91 BPM | ||
| I Can’t Find You at All | AJ Lee & Blue Summit, Molly Tuttle | A Major | 1 | 11B | 151 BPM |