"泣くだけ泣いたら" by Kenichi Hagiwara had its release date on October 20, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "NadjaⅢ~Angel Gate~". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. 泣くだけ泣いたら is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 泣くだけ泣いたら by Kenichi Hagiwara having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ア・ブランニューデイ=時のすき間 | Kenichi Hagiwara | A Major | 0 | 11B | 62 BPM | ||
| I'll Be Back Again・・・いつかは | Takeshi&Hiroki | F Minor | 8 | 4A | 137 BPM | ||
| 愛をよろしく | Yasuhiro Suzuki | A Minor | 4 | 8A | 107 BPM | ||
| ロマンス | Garo | A Minor | 5 | 8A | 137 BPM | ||
| 大阪ビッグ・リバー・ブルース (Album Mix) | Yukadan | B Minor | 4 | 10A | 81 BPM | ||
| スローバラード | RC Succession | A Major | 5 | 11B | 128 BPM | ||
| SEPTEMBER MOON - Remastered 2022 | Eikichi Yazawa | D♭ Major | 7 | 3B | 140 BPM | ||
| 小僧-cryin' on the beach | BARBEE BOYS | E Major | 6 | 12B | 130 BPM | ||
| 幸せにさよなら ('81 Mix) [2015 Remastered] | Ginji Ito, 笛吹銅次 | E♭ Major | 2 | 5B | 60 BPM | ||
| いつか観た映画みたいに | Kiyoshiro Imawano & The 2-3's | A Major | 7 | 11B | 95 BPM | ||
| 夜へ急ぐ人 - アルバムバージョン | ちあきなおみ | D♭ Major | 4 | 3B | 109 BPM | ||
| サーカスにはピエロが | ザ・ディラン II | D Major | 4 | 10B | 143 BPM | ||
| 牡丹の間 | Kenichi Hagiwara | A Minor | 6 | 8A | 81 BPM | ||
| 雨上りのぶるーす | Shogo Hamada | A Minor | 2 | 8A | 133 BPM | ||
| 空と海の輝きに向けて | Yumi Arai | A♭ Major | 4 | 4B | 141 BPM | ||
| 初夏 | ふきのとう | G Minor | 5 | 6A | 113 BPM | ||
| はやく抱いて | Seiji Rokkaku Band | B Minor | 4 | 10A | 108 BPM | ||
| 抱きしめてオンリィ・ユー | Kumiko Yamashita | E Major | 6 | 12B | 132 BPM | ||
| 白雪姫の毒リンゴ - 2025 Remaster / Live | Shigeru Izumiya | D Major | 7 | 10B | 147 BPM | ||
| あの頃のぼくは | Iruka | F Major | 4 | 7B | 87 BPM | ||
| 酒と泪と男と女 | Kenichi Hagiwara | F♯ Major | 3 | 2B | 118 BPM | ||
| 風と落葉と旅びと | チューインガム | D Major | 5 | 10B | 117 BPM | ||
| 愛する君に | The Golden Cups | F Major | 7 | 7B | 109 BPM | ||
| 海岸通 | Kaze | D Major | 4 | 10B | 147 BPM | ||
| Johnny Blue | RC Succession | G Major | 5 | 9B | 206 BPM |