Ralph Benatzky, Marina Hottine, Lucien Huberty, Orchestre Rene Saint Paul, Jésus Etcheverry's 'L'Auberge du Cheval Blanc: Duo sylvabelle flores tout bleu...Tout bleu' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. L'Auberge du Cheval Blanc: Duo sylvabelle flores tout bleu...Tout bleu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Les Plus Belles Opérettes" album is number 6 out of 142. On top of that, France appears to be the country where this track was created. L'Auberge du Cheval Blanc: Duo sylvabelle flores tout bleu...Tout bleu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Auberge du Cheval Blanc: Duo sylvabelle flores tout bleu...Tout bleu by Ralph Benatzky, Marina Hottine, Lucien Huberty, Orchestre Rene Saint Paul, Jésus Etcheverry to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Merry Widow Waltz | The Vienna National Opera Orchestra | A Major | 2 | 11B | 146 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | D Major | 4 | 10B | 122 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Introduktion (Reiseführer) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 4 | 6B | 96 BPM | ||
| Komm, lieber Mai und mache | Eva Lind | B♭ Major | 3 | 6B | 79 BPM | ||
| Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
| Bis früh um fünfe | Paul Lincke, Bremer Kaffeehaus-Orchester | D Major | 2 | 10B | 112 BPM | ||
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| My Fair Lady: Kann Denn Die Kinder Keiner Lehren Wie Man Spricht | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | C Major | 3 | 8B | 140 BPM | ||
| I Bin A Echter Weana | Die Altgrinzinger Schrammeln | G Major | 1 | 9B | 96 BPM | ||
| Im weißen Rössl: Im weißen Rössl | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 121 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
| Zu neuen Ufern: Yes, Sir! | Ralph Benatzky, Greta Keller, Studio Chorus, Peter Kreuder | C Major | 2 | 8B | 74 BPM | ||
| For Ever, Polka schnell, Op. 193 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack | G Major | 3 | 9B | 153 BPM | ||
| Ohne Gans kein Ganseklein | Ralph Benatzky, Lizzi Waldmüller | D♭ Major | 2 | 3B | 100 BPM | ||
| La Viuda Alegre | Orquesta Filarmonica de Rumania | F♯ Major | 4 | 2B | 50 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr' (aus "Der Zigeunerbaron") | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Nach Herzenslust Polka schnell, op. 155 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | G Major | 2 | 9B | 76 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: Elojatek | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | C Minor | 4 | 5A | 149 BPM |