Victor M. Rosa, Mariló García, Lurdes García's ' "Tarantos: Guitarra y Compás 97" was released on its scheduled release date, 2000. This song appears to be safe for all ages as it is not explicit. The song is number 12 out of 15 in Escuela de Flamenco: Tarantos (Cristina Hoyos Present) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Tarantos: Guitarra y Compás 97's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Tarantos: Guitarra y Compás 97 by Victor M. Rosa, Mariló García, Lurdes García is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Como un Pajaro Volando | Jimenez Rejano | D Minor | 4 | 7A | 117 BPM | ||
| Tormentita de Abril (Bulerías) | Manolo Simón | E♭ Minor | 1 | 2A | 59 BPM | ||
| Un Rato Con Tio Pijo (Bulería) | Momo de Jerez | D♭ Minor | 7 | 12A | 111 BPM | ||
| Fandango Rápido: Cante y Guitarra | El Trini, Victor M. Rosa | B Minor | 4 | 10A | 170 BPM | ||
| Miel y Sal | Diego Amador | A♭ Major | 6 | 4B | 165 BPM | ||
| Alegrías de Córdoba: Cante, Guitarra y Compás | El Trini, Victor M. Rosa, Rafael García, Mariló García, Lurdes García | C Major | 8 | 8B | 112 BPM | ||
| Soleá por Bulerías | María del Tango, Jerónimo Maya, Diego Amaya, Lúa, Juan Mateo | C Minor | 3 | 5A | 87 BPM | ||
| Alegrías (Medio Lento) - Compás de Estudio | Nasrine Rahmani | B♭ Minor | 3 | 3A | 170 BPM | ||
| A Huelva - Fandangos al estilo de Pepe la Nora | Luis de Córdoba | C Major | 5 | 8B | 150 BPM | ||
| Tangos con Guitarra = 144 | Juana Amaya, Adela Campallo | B♭ Minor | 8 | 3A | 216 BPM | ||
| Soleá por Bulerías (Medio Lento) - Compás de Estudio | Nasrine Rahmani | B♭ Minor | 3 | 3A | 170 BPM | ||
| Tangos | Jacobo Palma | A♭ Major | 5 | 4B | 88 BPM | ||
| Los Rios | Paco Toronjo | E♭ Major | 2 | 5B | 136 BPM | ||
| Soleá Por Bulerias | Naike | F Minor | 4 | 4A | 144 BPM | ||
| Fernanda y Adela (Cuplé por Bulerías) | Alicia Gil | B Major | 5 | 1B | 112 BPM | ||
| Albero y Carmesí (Sevillanas) | Alejandro Hurtado, David Domínguez | D Major | 4 | 10B | 100 BPM | ||
| A La Mina Del Romero - Taranta | Israel Fernández, Joni Jiménez | F♯ Major | 2 | 2B | 81 BPM | ||
| Como Me Miras | La Fabi | A Minor | 6 | 8A | 82 BPM | ||
| La Cinta del Delantar: Martinete - Remastered | Jarrito, Juan Carmona, Paco Aguilera, Niño Ricardo, Tere Maya, Antonio Maya | C Minor | 2 | 5A | 134 BPM | ||
| Vámonos pa' Sevilla - Bulería No. 1 | Fernando De La Morena, Moraíto | D Major | 7 | 10B | 123 BPM | ||
| Mis Recuerdos al Barrrio Santiago | Ezequiel Benítez | D♭ Minor | 5 | 12A | 136 BPM | ||
| Quiérelo Mucho | Los De La Morena | A♭ Major | 6 | 4B | 110 BPM | ||
| No Me Tengas Compasión | La Nitra | C Major | 2 | 8B | 117 BPM | ||
| El Costero De La Virgen | Jose León, Pepe El Marismeño | E♭ Minor | 6 | 2A | 123 BPM | ||
| Tangos de Pastora - Conmigo | Tomasa La Macanita, Moraito, Parrilla de Jerez | A♭ Minor | 7 | 1A | 100 BPM |