The Jane Austen Era's ' "Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt)" was released on its scheduled release date, September 29, 2009. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Jane Austen Era". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt) by The Jane Austen Era having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brandenburg Concerto No. 3 in G Major, BWV 1048, Allegro | The Royal Festival Orchestra | G Major | 4 | 9B | 82 BPM | ||
| Liebestraum No. 3 in A-Flat Major, S. 541/3 | Franz Liszt, Arthur Fiedler, Boston Pops Orchestra | A♭ Major | 1 | 4B | 108 BPM | ||
| Consolations, S. 172: No. 3, Lento placido in D-Flat Major | Franz Liszt, Henrik Måwe | A♭ Major | 1 | 4B | 73 BPM | ||
| Trois Gymnopédies: I. Lent Et Douloureux | Erik Satie, Wolfgang Sieber | D Major | 0 | 10B | 73 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Radu Lupu | F Major | 0 | 7B | 66 BPM | ||
| Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" | Milan Horvat, Vienna Radio Symphony Orchestra | G Major | 2 | 9B | 118 BPM | ||
| Studio per il pianoforte, Book 2, Op. 30: No. 26 in G-Sharp Minor | Johann Baptist Cramer, Alessandro Deljavan | A♭ Minor | 1 | 1A | 172 BPM | ||
| Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM | ||
| Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
| Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
| Hungarian Dance No. 10 in E Major: Presto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | D Major | 3 | 10B | 125 BPM | ||
| Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 107 BPM | ||
| Melody in F Op. 3 No. 1 | Anton Rubinstein, Moura Lympany | F Major | 0 | 7B | 77 BPM | ||
| Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
| Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Giulio Briccialdi, Lajos Mayer, Béla Bánfalvi, Budapest Strings | F Major | 1 | 7B | 95 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
| Giselle - Act 2: No. 16 Final | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | C Major | 3 | 8B | 86 BPM | ||
| Thais: Meditation | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Major | 1 | 10B | 86 BPM | ||
| Sonata No. 16 C major (Sonata facile) , KV 545 (1788) 3 rondo allegretto - Classical Music for Babies | Giuliano Sacchetto-Giordano Trivellato, Gold Heart Mother | C Major | 0 | 8B | 95 BPM | ||
| Klavierkonzert Nr. 20 D-Moll KV 466 - II. Romance | Mozart Festival Orchester, Svetlana Stanceva, Marco Bertone | B♭ Major | 1 | 6B | 86 BPM | ||
| 鋼琴奏鳴曲 C大調 K.545 第1楽章 | muzarcian | C Major | 1 | 8B | 150 BPM | ||
| Fantasiestücke, Op. 12: 1. "Des Abends" (In the Evening) in D-Flat Major (feat. Sarah Ainsworth) | The Royal Festival Orchestra, Sarah Ainsworth | C Major | 0 | 8B | 139 BPM | ||
| L'Arlesienne Suite, Nr. 1: III. Adagietto | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 0 | 7B | 57 BPM |