"Pray for Me" by Max Richter had its release date on December 7, 2018. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Max Richter's "Mary Queen Of Scots (Original Motion Picture Soundtrack)" album is number 13 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pray for Me is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pray for Me by Max Richter to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Won't Answer | Max Richter | B♭ Minor | 1 | 3A | 69 BPM | ||
| Remorse | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Sparse Party | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Major | 5 | 2B | 190 BPM | ||
| Goodbye Gladys | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| Ice | David Motion, Sally Potter | A Minor | 1 | 8A | 97 BPM | ||
| What Happened | Peter Gregson | C Minor | 3 | 5A | 89 BPM | ||
| Remembering Apollo | Mychael Danna, Harry Gregson-Williams | A Major | 2 | 11B | 115 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| Kleines Requiem für eine Polka, Op. 66: IV. Adagio - Cantabile | Henryk Górecki, I Fiamminghi (The Orchestra of Flanders), Rudolf Werthen | D♭ Major | 0 | 3B | 88 BPM | ||
| Prelude - Testament of Youth | Max Richter | C Minor | 0 | 5A | 93 BPM | ||
| The Music Comes From the Heavens | Peter Gregson | B♭ Major | 1 | 6B | 138 BPM | ||
| Romance Begins | Anne Nikitin | A Minor | 1 | 8A | 87 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM | ||
| The Sky Lies Open | Steven Price | A♭ Major | 1 | 4B | 73 BPM | ||
| Look at This | Marc Streitenfeld | E♭ Minor | 2 | 2A | 64 BPM | ||
| Burial | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | C Minor | 0 | 5A | 54 BPM | ||
| Interior Texture | Max Richter | C Minor | 0 | 5A | 140 BPM | ||
| Beth's Theme | Ólafur Arnalds | E♭ Minor | 0 | 2A | 168 BPM | ||
| Mother's Theme | Iskra String Quartet, Iskra Strings, Paul Frith | A Minor | 0 | 8A | 66 BPM | ||
| Basslinefield | Velora | A♭ Major | 1 | 4B | 85 BPM | ||
| The Apple of my Eye | Ólafur Arnalds | G Major | 0 | 9B | 62 BPM | ||
| The Good of This City | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| The Lambing | Tóti Guðnason | E♭ Minor | 0 | 2A | 86 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM |