Nara's 'Telefon Çalsa' had a release date set for December 7, 2012. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nara's "Hayaler Odası" album is number 4 out of 5. On top of that, Turkey appears to be the country where this track was created. Based on our statistics, Telefon Çalsa's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Telefon Çalsa by Nara to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aşık Oldum Galiba | Cem Altıntaş | B Minor | 8 | 10A | 150 BPM | ||
| Göçmen Kızı | Kenan Adil | B Major | 4 | 1B | 130 BPM | ||
| Ne Zaman | Bulent Berke İmren, Berfin İmren | A Minor | 6 | 8A | 128 BPM | ||
| Avsked | Traditional, Nara | A Major | 2 | 11B | 160 BPM | ||
| Hazan | rody dünyada | B Minor | 3 | 10A | 136 BPM | ||
| Kısa Mesafe | Rafat Hasanlı | E Minor | 5 | 9A | 172 BPM | ||
| Sende Beni Sevdinmi | Ümit Ökke | C Major | 4 | 8B | 180 BPM | ||
| Gel Gör Beni | Mentra | A♭ Minor | 7 | 1A | 73 BPM | ||
| Nida | Burak Akyol | D Minor | 6 | 7A | 184 BPM | ||
| Ayrılmam | Berkay Altunyay | B Minor | 8 | 10A | 172 BPM | ||
| Hüzün | Gece Yolcuları | A Minor | 9 | 8A | 126 BPM | ||
| Sen Unutma Beni | Ayna | C Minor | 8 | 5A | 192 BPM | ||
| Sensiz Ben | Pera | A Minor | 6 | 8A | 106 BPM | ||
| Kör Zaman | Furkan Halıcı | E Minor | 6 | 9A | 170 BPM | ||
| Beni Neden Sevmedin - Akustik | Vugar | E♭ Minor | 1 | 2A | 134 BPM | ||
| Bu Uçurumlar | Ufuk Çalışkan | B♭ Major | 5 | 6B | 92 BPM | ||
| Gidemem Ki | Ömer Öz | D Minor | 5 | 7A | 90 BPM | ||
| Ayrilsak Oluruz Biz | Taner Kaya | B Major | 8 | 1B | 102 BPM | ||
| Seviyorum Seni | Rafat Hasanlı | D Major | 5 | 10B | 137 BPM | ||
| Witching Hour - Syn Remix | Nara, Syn | G Major | 10 | 9B | 155 BPM | ||
| Al Beni Bas Yaralarına | İkiye On Kala | F Minor | 2 | 4A | 120 BPM | ||
| Güzel Kızım Diğer Yarım - Live | Erdem Yıldırım | E♭ Major | 2 | 5B | 75 BPM | ||
| Vursalar Ölemem | Melek Mosso | A♭ Minor | 3 | 1A | 120 BPM | ||
| Zaten Kırılmış Bir Kızsın | Bağzıları | A♭ Minor | 4 | 1A | 105 BPM | ||
| Tak Lagi kupercaya | Nara | D Major | 5 | 10B | 125 BPM |