John Altman's 'After-Hours Joint' had a release date set for December 23, 2016. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Altman's "John Altman: Silent Screen" album is number 10 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, After-Hours Joint's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of After-Hours Joint by John Altman to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Your Shining Eyes | Biel Ballester Trio | G Major | 5 | 9B | 108 BPM | ||
| It's Such A Happy Day | Jackie Gleason | F Minor | 3 | 4A | 121 BPM | ||
| 10th Anniversary Collection | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Suite | Rachel Portman | C Major | 1 | 8B | 78 BPM | ||
| Across the Room / Begin the Beguine | David Hirschfelder, Stephen Pigram, Alan Pigram | E Minor | 5 | 9A | 138 BPM | ||
| I'm Beginning to See the Light | Kelly Rowland | G Major | 3 | 9B | 132 BPM | ||
| The Entertainer - The Sting/Soundtrack Version/Orchestra Version | Marvin Hamlisch | C Major | 4 | 8B | 157 BPM | ||
| Lazy Saxophone Blues | John Altman | F Major | 1 | 7B | 94 BPM | ||
| インドの歌 | BBCビッグバンド | A Major | 1 | 11B | 73 BPM | ||
| It's Complicated | Hans Zimmer, Heitor Pereira | F Major | 2 | 7B | 94 BPM | ||
| Blue Tango | Leroy Anderson, WDR Rundfunkorchester Köln, Pinchas Steinberg | D Major | 2 | 10B | 130 BPM | ||
| The Story of Wu | John Altman | C Major | 3 | 8B | 123 BPM | ||
| Springtime in Paris | Tony Osborne | C Major | 4 | 8B | 91 BPM | ||
| Tequila - Samba | Tony Evans & His Orchestra | B♭ Major | 8 | 6B | 100 BPM | ||
| Cat's Pajamas | Universal Production Music | A♭ Major | 6 | 4B | 198 BPM | ||
| It's A Fair Cop | David Tobin, John Altman | D Minor | 7 | 7A | 173 BPM | ||
| The Apology/Nessun Dorma | Luciano Pavarotti, The Mirror Has Two Faces (Soundtrack) | D Major | 1 | 10B | 82 BPM | ||
| Miss Fisher's Closing Theme | Greg J Walker | C Minor | 5 | 5A | 100 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| Truth and Beauty | John Altman | G Major | 3 | 9B | 120 BPM | ||
| Mona Lisa | Seal | D♭ Major | 2 | 3B | 82 BPM | ||
| Jazz Carnival | Bebo Best, The Super Lounge Orchestra | G Major | 9 | 9B | 102 BPM | ||
| Danny Boy (From "Return to Me") | The Rudy Gabor Strolling Strings | C Major | 1 | 8B | 119 BPM | ||
| Murder On The Orient Express - Waltz | Richard Rodney Bennett | C Major | 2 | 8B | 51 BPM | ||
| Broadway Brouhaha | Hollywood Trailer Music Orchestra | B♭ Major | 6 | 6B | 148 BPM |