On April 17, 2014, the song "Banal Viya Maal Rangvavtiya" was released by Sudarshan Vyas, Paro Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sudarshan Vyas, Paro Rani's "Holi Me Parparata" album is number 3 out of 8. On top of that, France appears to be the country where this track was created. Based on our statistics, Banal Viya Maal Rangvavtiya's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Banal Viya Maal Rangvavtiya by Sudarshan Vyas, Paro Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghumar Ghumar Ran Garaje | Yuvraj Pandey | F Minor | 10 | 4A | 90 BPM | ||
| Tu Radhe Radhe Bol Zara | Chitra Vichitra ji | D♭ Minor | 9 | 12A | 174 BPM | ||
| Lage Parparaye Hamar Gaal | Sudarshan Vyas, Paro Rani | F Major | 8 | 7B | 100 BPM | ||
| Radhe radhe gaate rehna | Shradey gaurav krishna goswami | F♯ Major | 10 | 2B | 112 BPM | ||
| Inder Ki To Bat Kiya | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 85 BPM | ||
| Naya Nohar Kaniya Badu | Pushpa Rana | A♭ Major | 8 | 4B | 115 BPM | ||
| Duno Kaan Ma | Sanjay Mahanand | F Minor | 9 | 4A | 157 BPM | ||
| Hum Desh Ke Veer Kisan Khet Me | Rishipal Khadana, Tarun Baliyan | B Major | 10 | 1B | 142 BPM | ||
| Ab Utho Bhavani Maihar Wali | Nilkamal Vaishnav | F Major | 6 | 7B | 138 BPM | ||
| Rajaiya Me Dabai Ke | Mohan Rathore, Shilpi Raj | A♭ Minor | 10 | 1A | 180 BPM | ||
| Bande Le Le Sharan Hari Ki | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Mere Liye Jeena Ye Saja | Attaullah Khan | B♭ Minor | 6 | 3A | 97 BPM | ||
| Shuru Hoja Ae Khesari | Khesari Lal Yadav | G Major | 7 | 9B | 140 BPM | ||
| Pancho Main Sarpanch Raha Meri | Neeraj Bhati | A♭ Major | 9 | 4B | 96 BPM | ||
| Sharda Bhawani Maiya | MANOJ TIWARI | B♭ Minor | 7 | 3A | 160 BPM | ||
| Hum Haeen Piya Ji Ke Patar Tiriywa - From "Patna Se Pakistan" | Kalpana Patowary, Dinesh Lal Yadav | G Minor | 9 | 6A | 102 BPM | ||
| Mahal Mein Banke Rahiye Pathani | Tarun Baliyan | D♭ Major | 9 | 3B | 121 BPM | ||
| Baiya Kasam Se Maal Tohar Sasurari Mein | Surinder Sagar | F Minor | 9 | 4A | 95 BPM | ||
| Murli Kyo Bajaye | Halke Ram Kushwah, Jyoti Kushvah | D♭ Minor | 9 | 12A | 130 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Pili Pad Gayi Rasiya | Pankaj Sharma | A♭ Major | 9 | 4B | 162 BPM | ||
| Mohan Mujhe Darsh Dikha De | Harender Nagar | F♯ Major | 10 | 2B | 139 BPM | ||
| Kamar Damage | Sudhir Lal Yadav | F♯ Major | 9 | 2B | 75 BPM | ||
| Chand Jese Mukhde Pe Haye Ram Mar Gaya | Tarun Baliyan | G Minor | 9 | 6A | 116 BPM | ||
| Krishna Govind Govind Gopal Nandlal | Hita Ambrish | B Major | 7 | 1B | 145 BPM |