"The Twelve Days Of Christmas" by Traditional, Arr. Ruth Watson Henderson, Toronto Children's Chorus had its release date on 1991. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 21 in Dancing Day by Toronto Children's Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The Twelve Days Of Christmas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Twelve Days Of Christmas by Traditional, Arr. Ruth Watson Henderson, Toronto Children's Chorus is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dona nobis pacem (Arr. for string trio by Maya Magub) | Wolfgang Amadeus Mozart, Maya Magub, Benjamin Jacobson, Marianne Thorsen, Jonathan Morton, Jonathan Moerschel, Richard Harwood | B♭ Major | 2 | 6B | 112 BPM | ||
| Let all mortal flesh keep silent | Traditional, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | B♭ Major | 1 | 6B | 83 BPM | ||
| Summer Together | VOX, Elizabeth Scott, Tim Cunniffe | G Major | 2 | 9B | 146 BPM | ||
| Lullaby (Wiegenlied), Op. 49, No. 4 [Arr. Michael Leighton Jones] | Johannes Brahms, Michael Leighton Jones, Jonathan Bradley | E♭ Major | 2 | 5B | 128 BPM | ||
| 黎族催眠歌 | 北京天使合唱團 | C Minor | 1 | 5A | 132 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| Marianne (arr. P. Wilby) | Philip Wilby, Traditional, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E Major | 0 | 12B | 76 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Footprints: I. The Tide | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Calm Me, O Lord | Margaret Rizza, Kevin Mayhew Ltd | D Major | 1 | 10B | 137 BPM | ||
| Her kjem me, dine arme smaa (Arr. Idunn Vindspoll) | Johann Abraham Peter Schulz, Idunn Vindspoll, Elias Blix, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde, Inger-Lise Ulsrud | A Major | 1 | 11B | 66 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Herraamme aina luottaa saa | Severus Gastorius, SRK Instrumentaali, Sinikka Illikainen, Mikael Säily, Tommi Tuovinen | G Major | 1 | 9B | 67 BPM | ||
| Spring Sorrow (Arr. for Cello & Piano by Julian Lloyd Webber) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
| Snow Angel: III. God Will Give Orders | Sarah Quartel, Ariose Women's Choir, Helen Stuart, Jolaine Kerley, Kathleen de Caen | G Minor | 1 | 6A | 84 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Fantasy Pieces, Op. 45: No. 4, Summer Song (Arr. for Orchestra) | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 89 BPM | ||
| Dextera Domini, FWV 65 | César Franck, Ensemble Vocal de Lausanne, Marie Jaermann, Jonathan Spicher, Michel Corboz, Manuel Rebelo | B♭ Major | 2 | 6B | 91 BPM | ||
| Elegi, H. 47 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Ave Maria C | Ryan Marvel, Heidi Mausbach | C Major | 1 | 8B | 122 BPM |