Margaret Whiting's 'You'd Be so Nice to Come Home To' had a release date set for November 4, 2016. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. You'd Be so Nice to Come Home To's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 57 in Dream: The Lost Recordings by Margaret Whiting. In terms of popularity, You'd Be so Nice to Come Home To is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of You'd Be so Nice to Come Home To by Margaret Whiting is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Love, No Nothin' | Ella Mae Morse | G Major | 2 | 9B | 114 BPM | ||
| There I Go | Vaughn Monroe | A♭ Major | 3 | 4B | 100 BPM | ||
| You Belong to Me | Jane Morgan | F Major | 3 | 7B | 116 BPM | ||
| So Rare | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 2 | 8B | 122 BPM | ||
| Nobody But You | Margaret Whiting, Don Costa And His Orchestra | E♭ Major | 1 | 5B | 147 BPM | ||
| Shine On Harvest Moon - Version 1 | Bing Crosby, Rosemary Clooney | A♭ Major | 1 | 4B | 84 BPM | ||
| Sentimental Journey (with Les Brown & His Orchestra) - 78 rpm Version | Doris Day, Les Brown & His Orchestra | F Major | 0 | 7B | 80 BPM | ||
| Someone To Watch Over Me | Margaret Whiting, Billy Butterfield And His Orchestra | G Major | 2 | 9B | 76 BPM | ||
| Linda | Ray Noble & His Orchestra | F Major | 1 | 7B | 101 BPM | ||
| The Song Is You | Dakota Staton | D Major | 5 | 10B | 132 BPM | ||
| My Very Good Friend the Milkman - Remastered | Fats Waller | F Major | 3 | 7B | 110 BPM | ||
| Looking at You | Lee Wiley | G Major | 2 | 9B | 114 BPM | ||
| You've Got That Thing | Bobby Short | B♭ Major | 4 | 6B | 151 BPM | ||
| It's Been a Long, Long Time | Jane Morgan | B♭ Major | 1 | 6B | 73 BPM | ||
| These Foolish Things | Carroll Gibbons, The Savoy Hotel Orpheans | A♭ Major | 3 | 4B | 130 BPM | ||
| Any Time, Any Day, Anywhere | Lee Wiley | D Major | 5 | 10B | 153 BPM | ||
| Manhattan | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| Heat Wave - Remastered | Margaret Whiting | C Major | 2 | 8B | 147 BPM | ||
| Don't Look At Me That Way | Jeri Southern | F Major | 3 | 7B | 67 BPM | ||
| I'm Making Believe | The Ink Spots, Ella Fitzgerald | F Major | 1 | 7B | 82 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| Wedding Bells | Margaret Whiting, Jimmy Wakely | C Major | 2 | 8B | 136 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| The Breeze and I | Jimmy Dorsey & His Orchestra | G Major | 2 | 9B | 114 BPM |