- BPM
- 111
- Key
- C Major
- Camelot
- 8B
Gavotte by Irra Petina, Robert Rounseville, Max Adrian, Barbara Cook Song Details
Irra Petina, Robert Rounseville, Max Adrian, Barbara Cook's ' "Gavotte" was released on its scheduled release date, 2015. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 16 in Candide (Remastered 2023) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Gavotte is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of Gavotte by Irra Petina, Robert Rounseville, Max Adrian, Barbara Cook is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -7.808 dB
- Acousticness
- 91%
- Danceability
- 72%
- Energy
- 64%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 87%
- Speechiness
- 20%
- Valence
- 72%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 1776: Molasses to Rum | Sherman Edwards, Clifford David, Peter Howard | A Major | 5 | 11B | 87 BPM | |
 | This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | |
| 1776: Is Anybody There? | Sherman Edwards, William Daniels, Peter Howard | C Minor | 3 | 5A | 92 BPM | |
 | La fille du régiment, IGD 30, Act II: "Le jour naissait dans le bocage" (Marie, Sulpice, La Marquise) | Gaetano Donizetti, Metropolitan Opera Orchestra, Gennaro Papi, Lily Pons, Salvatore Baccaloni, Irra Petina | B Major | 3 | 1B | 102 BPM | |
 | Quiet | Barbara Cook, William Ovis, Irra Petina | G Major | 3 | 9B | 85 BPM | |
 | 4. Oh, false one, you have deceived me | Arthur Sullivan, Christene Palmer, Philip Potter, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 2 | 9B | 71 BPM | |
 | The Farmer And The Cowman | Sidney Livingstone, Maureen Lipman, Hugh Jackman, Jimmy Johnston, Vicki Simon, Gavin Lee, Oklahoma! 1998 National Theatre Cast Recording Ensemble | F Major | 5 | 7B | 138 BPM | |
 | Shoeless Joe from Hannibal, Mo. | Rae Allen, Damn Yankees Ensemble | G Major | 6 | 9B | 131 BPM | |
 | It's All the Same | Mary Elizabeth Mastrantonio, Man of La Mancha Ensemble (2002) | A♭ Minor | 3 | 1A | 112 BPM | |
 | The Mikado / Act 2: 34. There is beauty in the bellow of the blast | Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 104 BPM | |
| The Mikado / Act 1: 15. The threaten'd cloud has pass'd away | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 115 BPM | |
 | There Is No Other Way | Alvin Ing, Ricardo Tobia | G Major | 1 | 9B | 93 BPM | |
 | So In Love (Reprise) | Broadway Cast Recording | G Major | 2 | 9B | 82 BPM | |
 | Kristen Chenoweth: Glitter & Be Glib | Forbidden Broadway Cast | A♭ Major | 3 | 4B | 81 BPM | |
 | Boris Godunov, IMM 4, Act II: "Odi questa bella canzon" (Teodoro) | Modest Mussorgsky, Metropolitan Opera Orchestra, Ettore Panizza, Irra Petina | G Major | 3 | 9B | 101 BPM | |
 | Les contes d'Hoffmann, IJO 18, Act I: "Ah! mon ami! quel accent!" (Hoffmann, Nicklausse, Spalanzani, Chœur, Olympia, Cochenille) | Jacques Offenbach, Metropolitan Opera Orchestra, Maurice de Abravanel, René Maison, Irra Petina, Louis D'Angelo, Metropolitan Opera Chorus, Vina Bovy, Angelo Badà, Maurice De Abravanel | A♭ Major | 4 | 4B | 171 BPM | |
 | The Joy You Feel | Sarah Uriarte Berry, Adam Guettel | D♭ Major | 1 | 3B | 162 BPM | |
 | Cavalleria rusticana: Siciliana: O Lola ch'ai di latti fior di spino (Turiddu) | Pietro Mascagni, Elisabeth Rethberg, Sydney Rayner, Carlo Morelli, Irra Petina, Anna Kaskas, Gennaro Papi | F Major | 2 | 7B | 79 BPM | |
 | Gliding | Peter Friedman | F Major | 1 | 7B | 81 BPM | |
 | Lakmé, Act II: Airs de danse: Coda (Chorus) | Léo Delibes, Lily Pons, Irra Petina, Annamary Dickey, Lucielle Browning, Helen Olheim, Armand Tokatyan, Ezio Pinza, George Cehanovsky, Nicholas Massue, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Wilfrid Pelletier | A♭ Minor | 5 | 1A | 79 BPM | |
 | Sunny Side to Every Situation | Karen Prunczik, 42nd Street Ensemble | E♭ Major | 1 | 5B | 139 BPM | |
| Les contes d'Hoffmann, IJO 18, Act I: "C'est moi, Coppélius!" (Coppélius, Nicklausse, Hoffmann) | Jacques Offenbach, Metropolitan Opera Orchestra, Maurice De Abravanel, Lawrence Tibbett, Irra Petina, René Maison | D Major | 3 | 10B | 84 BPM | |
 | Now I Have Everything | Julia Migenes, Bert Convy | G Major | 1 | 9B | 114 BPM | |
 | You're Gonna Love Tomorrow / Love Will See Us Through - Medley | Fred Haig, Zizi Strallen, Alex Young, Adam Rhys-Charles | F♯ Major | 4 | 2B | 81 BPM | |
| Cantiamo D'amore | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM |
- ISRC
- GBBXS2301585
- Label
- L-M Records/RCA Records