Jamie Lin Wilson's ' "The Being Gone" was released on its scheduled release date, October 26, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jamie Lin Wilson's "Jumping over Rocks" album is number 2 out of 10. Based on our statistics, The Being Gone's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Being Gone by Jamie Lin Wilson to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Messenger | Ray Wylie Hubbard, Ronnie Dunn, Pam Tillis | A Major | 3 | 11B | 144 BPM | ||
| Drawl | Lilly Hiatt | C Major | 4 | 8B | 110 BPM | ||
| Desperate & Depressed | Margo Price | G Major | 4 | 9B | 177 BPM | ||
| Dallas Lights | Joshua Ray Walker | G Major | 6 | 9B | 126 BPM | ||
| The Way It Dimmed | Amanda Shires | D♭ Minor | 10 | 12A | 101 BPM | ||
| Long Haul | Caroline Spence | D Major | 7 | 10B | 126 BPM | ||
| Never Cry Again | John Fullbright | D Major | 7 | 10B | 113 BPM | ||
| Heart Like a Wheel | Zoe Muth and the Lost High Rollers | A Major | 5 | 11B | 101 BPM | ||
| The Only Eyes | The Honeycutters | D Major | 4 | 10B | 158 BPM | ||
| Exile | West Texas Exiles | C Major | 8 | 8B | 106 BPM | ||
| No Regular Dog | Kelsey Waldon | F Minor | 5 | 4A | 75 BPM | ||
| If I Had a Rose | Bruce Robison, Kelly Willis | E Major | 3 | 12B | 73 BPM | ||
| What I Like About Texas | Gary P. Nunn, Kevin Fowler | E Major | 6 | 12B | 132 BPM | ||
| It's a Shame | Courtney Patton | D Major | 7 | 10B | 186 BPM | ||
| Playin' Old Records | Erin Viancourt | A Minor | 8 | 8A | 125 BPM | ||
| Less Lonesome | Presley Haile | D Major | 4 | 10B | 76 BPM | ||
| Big Time | Abby Hamilton | A Major | 3 | 11B | 118 BPM | ||
| Strong Blood | Kristina Murray | A Major | 5 | 11B | 75 BPM | ||
| What a High Horse | Waylon Payne | D Major | 4 | 10B | 76 BPM | ||
| Barbed Wire (Belly Crawl) | Margo Cilker | G Major | 6 | 9B | 135 BPM | ||
| Road That Goes Both Ways (feat. Ashley McBryde) | Dee White, Ashley McBryde | F Major | 4 | 7B | 87 BPM | ||
| Motor City Man | Kelly Willis & Bruce Robison | D♭ Minor | 7 | 12A | 130 BPM | ||
| All By Myself | Kelsey Waldon | E Major | 4 | 12B | 83 BPM | ||
| Cheat on Me | Bri Bagwell | A Major | 6 | 11B | 114 BPM | ||
| Learning How to Lose You | Frankie and The Boys | G Major | 4 | 9B | 132 BPM |