Kosar Parveen, Saleem Raza's ' "Bar Bar Barsey" was released on its scheduled release date, March 26, 2009. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Pak Daman / Waadha". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Bar Bar Barsey is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Bar Bar Barsey by Kosar Parveen, Saleem Raza having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Annimanthramulu | G. Balakrishna Prasad | G Major | 3 | 9B | 85 BPM | ||
| Dukedi Handumata | Sarath Dasanayake, T M Jayarathne, A. P. Sheela | A♭ Major | 6 | 4B | 93 BPM | ||
| Velli Poonthottam | K. J. Yesudas, Pappanamkodu Lakshamanan | B♭ Minor | 5 | 3A | 95 BPM | ||
| Jaladhara Neeniru | Pandit Bhimsen Joshi | F Minor | 6 | 4A | 101 BPM | ||
| Ummeed Kya Ho Geet Ki Jab | Ranee, Laxmi, Raj, Pt. Madhur | B Major | 2 | 1B | 79 BPM | ||
| Suniyan Kya Dukh | Kosar Parveen, Sahrafat Ali | D♭ Major | 1 | 3B | 90 BPM | ||
| Ramayanam - 1971 | P. Susheela, P. Leela | D Major | 4 | 10B | 133 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Naa Donkadarenu Naama | Vidyabhushana | G Major | 7 | 9B | 169 BPM | ||
| Varalakshmi Devi Raavamma | Vijayalakshmi Sarma, Sindhu | B♭ Minor | 4 | 3A | 132 BPM | ||
| Namo Bhootha Naadha | S. Varalakshmi, Ghantasala | E Major | 4 | 12B | 139 BPM | ||
| Aanant Dekhi | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Kehu Lootera Kehu Chor | Asha Bhosle | F♯ Major | 5 | 2B | 91 BPM | ||
| Kolloura Sridevi Mookambike | B.K. Sumitra | F♯ Minor | 5 | 11A | 85 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Jeevacha Pakharu Khudkan (From "Salami") | Lata Mangeshkar, P.Savalaram | A♭ Minor | 3 | 1A | 176 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Gandu Magana Yaka Hadadi | Ratnamala Prakash | G Major | 8 | 9B | 110 BPM | ||
| Machhalli Hodadaga | Ravindranath Desai | F♯ Minor | 6 | 11A | 99 BPM | ||
| MALEYA MAHADEVA | Malavalli Dr M Mahadevaswamy | D Major | 8 | 10B | 110 BPM | ||
| Jaya Jaya Jaya Durga | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Souwmya | D Major | 4 | 10B | 177 BPM | ||
| Jindagi Uski Kya Jindagi | Manna Dey | F Minor | 5 | 4A | 83 BPM | ||
| Inthele Jeevithaminthele | S. P. Balasubrahmanyam | D♭ Major | 5 | 3B | 142 BPM | ||
| Odum Meghangale Oru Doothupokamo | Kannur Chandrasekaran | E Minor | 8 | 9A | 95 BPM | ||
| Jamuna Kinare | Sandhya Mukherjee, Akhil Bandhu Ghosh | F♯ Major | 4 | 2B | 78 BPM |