"Holy Patterns" by Night Gestalt, TM404 had its release date on February 27, 2020. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Sudden Rituals, Vol. 1". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Holy Patterns is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Holy Patterns by Night Gestalt, TM404 having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| idyll | marine eyes | F♯ Major | 2 | 2B | 92 BPM | ||
| Hera | Jan Wagner, Tobias Preisig | G Major | 0 | 9B | 143 BPM | ||
| Glow (Foam and Sand Rework) | Robot Koch, Foam and Sand | F♯ Major | 2 | 2B | 89 BPM | ||
| Two Weeks | Oli Bayston | A♭ Major | 3 | 4B | 132 BPM | ||
| Primal Reasons | Night Gestalt | G Major | 5 | 9B | 95 BPM | ||
| Visible Through The Shroud | Rafael Anton Irisarri | F♯ Minor | 0 | 11A | 70 BPM | ||
| All Possible States | 36 | F Minor | 1 | 4A | 140 BPM | ||
| Seeking (Holographic Field Rework) | Jim Perkins, Holographic Field | D Minor | 4 | 7A | 173 BPM | ||
| Northern Spirit | Alyas | E Minor | 4 | 9A | 120 BPM | ||
| The Edges | Rachika Nayar | D♭ Minor | 4 | 12A | 68 BPM | ||
| Little One | Ekin Fil | C Major | 0 | 8B | 73 BPM | ||
| Painted Canvas | Six Missing | G Major | 3 | 9B | 100 BPM | ||
| eon | 58918012 | E Major | 5 | 12B | 66 BPM | ||
| There Will Come Soft Rains | The Gentleman Losers | C Major | 5 | 8B | 114 BPM | ||
| Ember 1 | Bvdub | G Minor | 3 | 6A | 127 BPM | ||
| Battle Scars | Tineidae | B♭ Major | 1 | 6B | 168 BPM | ||
| Golden Forest | Velia Korr | D♭ Minor | 2 | 12A | 136 BPM | ||
| Daughter | Subheim, Hecq | D♭ Minor | 4 | 12A | 87 BPM | ||
| So It Goes | Greg Haines | E Minor | 3 | 9A | 104 BPM | ||
| abundance | badfocus, Albert Štifter | A♭ Minor | 1 | 1A | 108 BPM | ||
| Woods of Admittance | Sebastian Mullaert, Tonhalle-Orchester Zürich | B Major | 2 | 1B | 125 BPM | ||
| Yield | Leo Abrahams | A Minor | 1 | 8A | 80 BPM | ||
| Circle 18 - Hainbach Rework | Robot Koch, Foam and Sand, Hainbach | A♭ Major | 1 | 4B | 100 BPM | ||
| Bardo Landscape | Alicia Enstrom | D♭ Minor | 2 | 12A | 62 BPM | ||
| Virga II (i) | Eluvium | D♭ Major | 1 | 3B | 130 BPM |