Bette Davis, Two's Company Ensemble's ' "Finale" was released on its scheduled release date, 1953. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Two's Company (Original Broadway Cast)". In this album, this song's track order is #13. Finale is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Finale by Bette Davis, Two's Company Ensemble having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come-On-A-My House | Della Reese | F Minor | 5 | 4A | 141 BPM | ||
| Gloomy Sunday | Ketty Lester | D♭ Major | 2 | 3B | 82 BPM | ||
| Till There Was You | Shirley Jones | D Major | 2 | 10B | 174 BPM | ||
| Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
| Getting to Know You | Deborah Kerr, Marni Nixon, Children | A♭ Major | 1 | 4B | 121 BPM | ||
| Out of the Clear Blue Sky | The Original Broadway Cast Of Two's Company, Bette Davis | B Minor | 1 | 10A | 159 BPM | ||
| Brush Up Your Shakespeare | James Whitmore, Keenan Wynn | C Major | 4 | 8B | 114 BPM | ||
| Turn Me Loose on Broadway | The Original Broadway Cast Of Two's Company, Bette Davis | C Major | 2 | 8B | 128 BPM | ||
| Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Mame (Original Broadway Cast), Original Broadway Cast of Mame, Donald Pippin | F Minor | 6 | 4A | 127 BPM | ||
| Suite - From Juarez, 1939 | Bette Davis, Erich Wolfgang Korngold | C Minor | 1 | 5A | 80 BPM | ||
| Unchained Melody | The Fleetwoods | D♭ Major | 0 | 3B | 81 BPM | ||
| Don't Tell Mama | Judi Dench, Barry Dennen | A Major | 5 | 11B | 197 BPM | ||
| In the Long Run | Stu Phillips, Lynn Carey, Barbara Robison | D Major | 5 | 10B | 124 BPM | ||
| Clap Yo' Hands - Alternate Version | Fred Astaire, Kay Thompson | E Major | 6 | 12B | 146 BPM | ||
| One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM | ||
| That's My Boy | Elaine Stritch | E♭ Major | 5 | 5B | 81 BPM | ||
| Mystical Magical Musical Madness | Carl Coccomo | G Major | 3 | 9B | 92 BPM | ||
| Can't Help Lovin' Dat Man | Trudy Richards | G Major | 3 | 9B | 114 BPM | ||
| Personality - from "Road to Utopia" | Dorothy Lamour | B♭ Major | 3 | 6B | 77 BPM | ||
| That Old Black Magic | Louis Prima | A♭ Major | 2 | 4B | 90 BPM | ||
| One, I Love You | Ronee Blakley, Henry Gibson | C Major | 4 | 8B | 85 BPM | ||
| Don't You Know | Della Reese | E♭ Major | 5 | 5B | 88 BPM | ||
| It Don't Worry Me | Barbara Harris, Keith Carradine | G Major | 4 | 9B | 128 BPM | ||
| Kiss of Fire | Georgia Gibbs | B Minor | 5 | 10A | 107 BPM | ||
| Two Sleepy People - Remastered | Bob Hope | C Major | 4 | 8B | 93 BPM |