"L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar)" by Jean-Philippe Rameau, Raphaël Feuillâtre had its release date on March 31, 2023. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. This song is part of Visages baroques by Raphaël Feuillâtre, Antoine Forqueray, Jacques Duphly, Jean-Philippe Rameau, Johann Sebastian Bach, Joseph-Nicolas-Pancrace Royer. The song's track number on the album is #6 out of 18 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) by Jean-Philippe Rameau, Raphaël Feuillâtre has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| Fantasia in G Minor, Z.734 | Henry Purcell, Trio Sypniewski | D♭ Minor | 1 | 12A | 73 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
| Marais: Pièces de viole, Livre IV, Suite d'un goût étranger: La Rêveuse | Marin Marais, Thomas Dunford, Myriam Rignol | E Minor | 0 | 9A | 47 BPM | ||
| Concerto in D Minor, RV 565: V. Adagio | Alessandro Marcello, Concerto Italiano, Rinaldo Alessandrini | B♭ Major | 0 | 6B | 82 BPM | ||
| Violin Sonata No. 3 in F Major, C. 140: V. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E Major | 0 | 12B | 74 BPM | ||
| L'entretien des Muses | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 177 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| Les tendres plaintes—Rondeau, RCT 3/1 - Recording 2021 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| La Couperin: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 120 BPM | ||
| Bagatellen Op. 47: I. Allegretto scherzando | Antonín Dvořák, NOG Ensemble | G Minor | 1 | 6A | 96 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
| Orfeo ed Euridice: Melody (Arr. G. Sgambati) | Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 73 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, David Fray | B♭ Major | 0 | 6B | 75 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| Nocturne No. 17 in C Major, H.61 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 95 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Ciacona in G Minor, Z. 730 | Henry Purcell, English Chamber Orchestra, Benjamin Britten | G Minor | 2 | 6A | 78 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
| 13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM |