Michael Brook's 'Best Unsaid' had a release date set for December 18, 2007. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Best Unsaid's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Brook's "Into the Wild (Original Score)" album is number 2 out of 36. On top of that, United States appears to be the country where this track was created. Best Unsaid is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Best Unsaid by Michael Brook to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Candlelight Vigil | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 75 BPM | ||
| The Carnivàle Convoy | Jeff Beal | D Major | 1 | 10B | 121 BPM | ||
| The Mind’s Eye | Max Richter | B Major | 0 | 1B | 111 BPM | ||
| Out of Nothing, Everything | Dan Romer | G Major | 2 | 9B | 180 BPM | ||
| I Drive | Cliff Martinez | C Major | 1 | 8B | 78 BPM | ||
| Orca In The Wild | Jeff Beal | G Major | 3 | 9B | 91 BPM | ||
| Rugla | amiina | G Major | 3 | 9B | 168 BPM | ||
| Fyrsta | Ólafur Arnalds | C Minor | 1 | 5A | 134 BPM | ||
| First Contact | Kevin Smuts | A Minor | 1 | 8A | 91 BPM | ||
| Only The Winds | Ólafur Arnalds, Atli Örvarsson | E Minor | 0 | 9A | 125 BPM | ||
| Hand Covers Bruise | Trent Reznor and Atticus Ross | D Major | 2 | 10B | 115 BPM | ||
| Fly | Ludovico Einaudi | D♭ Minor | 2 | 12A | 112 BPM | ||
| Tomorrow's Song | Ólafur Arnalds | C Major | 0 | 8B | 140 BPM | ||
| Sexfaldur | amiina | E Major | 1 | 12B | 78 BPM | ||
| Salvation Mountain | Michael Brook | C Major | 2 | 8B | 113 BPM | ||
| We're All Leaving | Arcade Fire, Owen Pallett | A♭ Major | 0 | 4B | 48 BPM | ||
| 7573' | Marco Beltrami | E Minor | 1 | 9A | 181 BPM | ||
| Sink Ships | Jónsi | G Major | 3 | 9B | 118 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Together Again | Stephen Rennicks | F Minor | 0 | 4A | 64 BPM | ||
| A Good Life Again | Rachel Portman, Michael Brook | D♭ Major | 4 | 3B | 145 BPM | ||
| Brambles | Jónsi | C Major | 4 | 8B | 125 BPM | ||
| Baby | Dickon Hinchliffe | C Major | 3 | 8B | 126 BPM | ||
| Forget the Miracle Ever Happened | Ryan Lott | C Major | 3 | 8B | 134 BPM | ||
| Goldfish | Michael Andrews | A Minor | 1 | 8A | 99 BPM |