Beady Eye's 'Back After The Break' had a release date set for January 1, 2013. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 15 in BE by Beady Eye. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Back After The Break is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Back After The Break by Beady Eye is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All By Myself | The La's | E Major | 2 | 12B | 73 BPM | ||
| Why Me? Why Not. | Liam Gallagher | A Minor | 7 | 8A | 170 BPM | ||
| Mouse in a Hole | HEAVY STEREO | C Major | 9 | 8B | 121 BPM | ||
| British Legion | Kasabian | E Minor | 3 | 9A | 112 BPM | ||
| Melodies Haunt You | Dodgy | D Major | 8 | 10B | 130 BPM | ||
| The Ghost Of You | The Tears | F♯ Major | 5 | 2B | 83 BPM | ||
| Why Not Nothing? | Richard Ashcroft | G Major | 9 | 9B | 122 BPM | ||
| Another Bus | The Twang | D Major | 6 | 10B | 71 BPM | ||
| The Turning | Oasis | G Major | 9 | 9B | 91 BPM | ||
| Keep The Home Fires Burning | The Bluetones | D Major | 6 | 10B | 123 BPM | ||
| Coming Home | Kaiser Chiefs | D Major | 9 | 10B | 183 BPM | ||
| I'm Just Saying | Beady Eye | A Minor | 9 | 8A | 77 BPM | ||
| Someday | Embrace | F Major | 8 | 7B | 168 BPM | ||
| Start Anew | Beady Eye | F♯ Major | 4 | 2B | 79 BPM | ||
| Ready for Drowning | Manic Street Preachers | G Major | 6 | 9B | 161 BPM | ||
| If You're Thinking Of Me | Dodgy | G Major | 6 | 9B | 139 BPM | ||
| Suicide Drive | The Seahorses | E Major | 7 | 12B | 154 BPM | ||
| What About Next Time? | Milburn | D♭ Major | 9 | 3B | 134 BPM | ||
| Good Lovin' | RPA, United Nations of Sound | C Major | 8 | 8B | 74 BPM | ||
| All I Wanna Do (Is Be With You) | Paul Weller | A Major | 9 | 11B | 91 BPM | ||
| Dragging Me Down | Inspiral Carpets | B Minor | 9 | 10A | 125 BPM | ||
| Happy Endings | Pulp | D Major | 6 | 10B | 90 BPM | ||
| If I'm A Fool | The Real People | G Major | 8 | 9B | 133 BPM | ||
| Trust In Time | Dodgy | G Minor | 9 | 6A | 144 BPM | ||
| Smart Dogs | Kula Shaker | D Major | 9 | 10B | 109 BPM |