On April 5, 2006, the song "悲鳴を上げる世界" was released by SIE Sound Team. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of WILD ARMS Complete Tracks by SIE Sound Team. The song's track number on the album is #21 out of 79 tracks. Based on our data, Japan was the country where this track was produced or recorded. Based on our statistics, 悲鳴を上げる世界's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since 悲鳴を上げる世界 by SIE Sound Team has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 悲鳴を上げる世界 being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| The Color of Depression | 岡部啓一 | D Major | 3 | 10B | 80 BPM | ||
| Elphael | Tai Tomisawa | D♭ Minor | 6 | 12A | 119 BPM | ||
| The Way of the Ghost | Ilan Eshkeri | G Minor | 2 | 6A | 114 BPM | ||
| Third Demise | Masami Ueda | A Minor | 6 | 8A | 93 BPM | ||
| Shriek and Ori | Gareth Coker | D♭ Major | 2 | 3B | 174 BPM | ||
| Lady Masako | Ilan Eshkeri | G Minor | 3 | 6A | 81 BPM | ||
| Song of the Ancients - Atonement | 岡部啓一 | A♭ Major | 7 | 4B | 85 BPM | ||
| Maiden Astraea | SIE Sound Team | E Minor | 4 | 9A | 117 BPM | ||
| Stone Coffin Fissure | Tsukasa Saitoh | E Major | 2 | 12B | 98 BPM | ||
| Warriors in Valour | 本良敬典(長現山妙常寺), グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | C Minor | 7 | 5A | 155 BPM | ||
| The City Must Survive | Piotr Musiał | G Minor | 7 | 6A | 95 BPM | ||
| The Mother of Fingers | Shoi Miyazawa | A Major | 4 | 11B | 105 BPM | ||
| The Twin Moon Knight | Tai Tomisawa | E♭ Major | 7 | 5B | 178 BPM | ||
| Tsushima Suite: V. Seiiki | Shigeru Umebayashi | E Minor | 2 | 9A | 59 BPM | ||
| The Wretched Automatons | SQUARE ENIX MUSIC | G Minor | 6 | 6A | 124 BPM | ||
| The Guardian Emerges | Clark Aboud | A♭ Major | 4 | 4B | 150 BPM | ||
| Roars Across the Hinterlands | Akiyuki Morimoto | B Minor | 8 | 10A | 144 BPM | ||
| Last Judgment | 中島健太郎 | C Major | 7 | 8B | 150 BPM | ||
| Dance of Pearls | Castlevania Sound Team | F Minor | 4 | 4A | 162 BPM | ||
| Requiem for the Gods | Castlevania Sound Team | D Minor | 4 | 7A | 64 BPM | ||
| Battle on the Big Bridge - EPISODE GLADIOLUS Version | Nobuo Uematsu | F Minor | 9 | 4A | 144 BPM | ||
| Schala's Theme | Malcolm Robinson | B♭ Minor | 5 | 3A | 80 BPM | ||
| Farde mal diavolo -Destroy Evil, then Come- | 金田光弘, ベイシスケイプ | F Major | 8 | 7B | 160 BPM | ||
| Vengeance on the World (from FFVII 'One-Winged Angel') | Nobuo Uematsu | B♭ Major | 7 | 6B | 122 BPM |