MALTA's 'VALSE No.7, Op.64-2' had a release date set for November 24, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in MALTA's "Malta de Chopin" album is number 1 out of 11. On top of that, Japan appears to be the country where this track was created. Based on our statistics, VALSE No.7, Op.64-2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of VALSE No.7, Op.64-2 by MALTA to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ROLLING 40TH ローリング・フォーティーズ | 菊池ひみこ | F Major | 9 | 7B | 113 BPM | ||
| Owl Flight | KEEP | G Major | 9 | 9B | 178 BPM | ||
| Mind Operation | DIMENSION | C Major | 6 | 8B | 166 BPM | ||
| Acoustic Dream | Minoru Mukaiya | G Major | 4 | 9B | 81 BPM | ||
| フレンドシップ | Minoru Mukaiya | G Major | 5 | 9B | 100 BPM | ||
| ANYWAY | Noriki | D Minor | 4 | 7A | 102 BPM | ||
| マジック・マッシュルーム | Toshiyuki Honda, バーニング・ウェイヴ | D Minor | 6 | 7A | 145 BPM | ||
| Night Scanners | Masaki Matsubara | A Major | 6 | 11B | 144 BPM | ||
| FIRE FLY | Sadao Watanabe | F♯ Major | 8 | 2B | 91 BPM | ||
| HOW HIGH THE MOON | Eiji Kitamura, Ichiro Masuda | C Major | 1 | 8B | 78 BPM | ||
| WHAT CAN I SAY | Richard Tee | B Minor | 6 | 10A | 122 BPM | ||
| フルーツ・サラダ・サンデイ | CASIOPEA | G Major | 6 | 9B | 134 BPM | ||
| Room 335 - Long Version | Larry Carlton | D Major | 5 | 10B | 128 BPM | ||
| 愛のシルエット - 編集前ヴァージョン | Yuji Ohno, ユー & ザ・エクスプロージョン・バンド | C Minor | 8 | 5A | 183 BPM | ||
| PROLOGUE -CRYSTAL LOVE- | Yuji Ohno | A Minor | 6 | 8A | 96 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| Baby Talk (Flying Beagle) | Komuchiwa | D Minor | 6 | 7A | 94 BPM | ||
| FLIGHT IN MISTRAL | 伊東たけし | D Major | 5 | 10B | 103 BPM | ||
| Racing with the Wind | Shakatak | C Minor | 6 | 5A | 120 BPM | ||
| Mellow Steps | PYRAMID | F Minor | 5 | 4A | 98 BPM | ||
| Bright Life | かつしかトリオ | G Major | 10 | 9B | 101 BPM | ||
| Headin' to Laguna Beach | Satoshi Bandoh | A Major | 9 | 11B | 115 BPM | ||
| ミュージック・ブレイク | Sadao Watanabe | C Major | 7 | 8B | 121 BPM | ||
| SIESTA | 菊池ひみこ | C Minor | 5 | 5A | 124 BPM | ||
| LEFT-HANDED WOMAN | Kenji Omura | D Major | 9 | 10B | 126 BPM |