P.O. Box, The Flatliners's ' "Going to the Court" was released on its scheduled release date, January 22, 2010. Going to the Court is considered explicit and may contain foul language. This song is about 3 minutes and 21 seconds, which is about the average length of a typical song. The track order of this song in P.O. Box's "InBetweenThelines" album is number 11 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Going to the Court's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Going to the Court by P.O. Box, The Flatliners to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 41 | F.O.D. | A♭ Major | 10 | 4B | 186 BPM | ||
| In Treatment | Call Me Malcolm | B Minor | 10 | 10A | 192 BPM | ||
| Year of Disaster | Rude Tins | G Major | 9 | 9B | 93 BPM | ||
| Backstabber | [spunge] | E Major | 9 | 12B | 134 BPM | ||
| Survive | King Prawn | B Minor | 8 | 10A | 115 BPM | ||
| Get Off / Get On | Popes Of Chillitown | F♯ Minor | 10 | 11A | 111 BPM | ||
| Fleeced | Dead Neck | E Minor | 10 | 9A | 195 BPM | ||
| Now | P.O. Box | G Major | 10 | 9B | 100 BPM | ||
| Inside Out | Call Me Malcolm | A Major | 10 | 11B | 103 BPM | ||
| Nose Dive | Faintest Idea, Riskee & The Ridicule | D♭ Minor | 9 | 12A | 94 BPM | ||
| Me, Myself & I Are Two Sometimes | Heathcliff | E Minor | 10 | 9A | 110 BPM | ||
| Safe European Home | The Hempsteadys | E Major | 10 | 12B | 97 BPM | ||
| Excuse My Smile | No Respect | G Major | 8 | 9B | 120 BPM | ||
| Where The Bloody Hell Are Ya? | Local Resident Failure | A Major | 10 | 11B | 155 BPM | ||
| Not Coming Back | Faintest Idea | B Minor | 9 | 10A | 153 BPM | ||
| Fire Sale | Get Dead | E Major | 10 | 12B | 160 BPM | ||
| Back in ‘79 | Los Fastidios | D Major | 10 | 10B | 168 BPM | ||
| Emilio Fiestavez | Sorry Sweetheart | E Major | 9 | 12B | 118 BPM | ||
| Make a Promise | The JB Conspiracy | A♭ Major | 9 | 4B | 96 BPM | ||
| The Ordinary Plan of Freedom | P.O. Box | D Major | 9 | 10B | 120 BPM | ||
| Another Bomb | King Punch | B♭ Minor | 9 | 3A | 154 BPM | ||
| Sound of a Revolution | Sonic Boom Six | F Minor | 9 | 4A | 132 BPM | ||
| Bonfire | Chaser | F Minor | 9 | 4A | 106 BPM | ||
| Zion | Pour Habit | E Major | 10 | 12B | 100 BPM | ||
| Elitist Punks | Be Like Max | D Major | 10 | 10B | 124 BPM |