"ポアント2 ~「ライモンダ」第1幕より ヘンリエッタのヴァリエーション~ - 4/4 8×4" by 滝澤 志野 had its release date on March 25, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in ドラマティック・ミュージック・フォー・バレエクラス2, so we believe that "ポアント2 ~「ライモンダ」第1幕より ヘンリエッタのヴァリエーション~ - 4/4 8×4" is a single. Based on our statistics, ポアント2 ~「ライモンダ」第1幕より ヘンリエッタのヴァリエーション~ - 4/4 8×4's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ポアント2 ~「ライモンダ」第1幕より ヘンリエッタのヴァリエーション~ - 4/4 8×4 by 滝澤 志野 is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rumanian Dance. Tendu | Josu Gallastegui | D♭ Minor | 2 | 12A | 148 BPM | ||
| ストレッチ 「カノン」4/4 64 | 滝澤 志野 | E♭ Major | 1 | 5B | 89 BPM | ||
| Faustì | Cecilia Tuomikoski | D♭ Minor | 0 | 12A | 74 BPM | ||
| Pocket Timetable | Sel Morasca | B♭ Major | 0 | 6B | 73 BPM | ||
| Pirouettes & Waltz 1(Long version) - Ballet "Paquita", Act 3 Coda | L. Minkus, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Rond de Jambe à Terre | T.Qualtrough, Jiwon Choi | F Major | 1 | 7B | 73 BPM | ||
| グラン・ワルツ2 オリジナル - 3/4 8×12 | 滝澤 志野 | A Minor | 3 | 8A | 185 BPM | ||
| パ・ド・ブーレ ~エチュード集作品25の第1番 変イ長調 Op.25-1~ - 4/4 8×8 | 滝澤 志野 | E Major | 1 | 12B | 72 BPM | ||
| Temps Lie D Major (64) | Jack Lloyd O'Donnell, Wireless Lovebird | D Major | 1 | 10B | 134 BPM | ||
| Piano Man(Dégagés1) - Cover | Miwa Hoshi | C Major | 3 | 8B | 178 BPM | ||
| Warm up in C- Major | Konstantin Mortensen | E♭ Major | 1 | 5B | 78 BPM | ||
| Warm up in C-Major | Konstantin Mortensen | C Major | 1 | 8B | 86 BPM | ||
| Quick Tendu: Friend Like Me (From "Aladdin") | Ray Lindsey, Chelsea Viste | B♭ Major | 2 | 6B | 149 BPM | ||
| Battement fondu 1 3x4 | Jorge L. Martínez | C Major | 2 | 8B | 76 BPM | ||
| 莫札特: 小星星變奏曲, 作品K. 265 | 紀鈞瀚 (Bryan Chi) | C Major | 0 | 8B | 145 BPM | ||
| Pirouettes in A- Major, Opéras comiques "La fille de Madama Angot", Act 1, Allegro-valse | Charles Lecocq, Konstantin Mortensen | A Major | 1 | 11B | 60 BPM | ||
| Battement tendu & jeté (Sleeping Beauty) | Ji Hyun Kim | C Major | 2 | 8B | 77 BPM | ||
| グラン・ワルツ ~「くるみ割り人形」第2幕 スペインの踊り~ - 3/4 8×16 | 滝澤 志野 | B♭ Major | 4 | 6B | 98 BPM | ||
| Plies | 이현정, Hyeon Jung Lee | D♭ Major | 2 | 3B | 135 BPM | ||
| Pirouette A Major (64) | Jack Lloyd O'Donnell, Wireless Lovebird | B Major | 0 | 1B | 92 BPM | ||
| Warm up 4x4 | Jorge L. Martínez | C Major | 2 | 8B | 76 BPM | ||
| Pilé | So Jeong Lee | B♭ Major | 2 | 6B | 105 BPM | ||
| Kapitel 17 - Das Paradies der Diebe (Die Pater Brown Klassiker, Folge 14) | Die Pater Brown Klassiker, Pater Brown, Gilbert Keith Chesterton, Audio Media Digital Hörbücher | B Major | 3 | 1B | 91 BPM | ||
| Got help the outcast (Ronds de Jambes a Terre) - Cover | Miwa Hoshi | F Major | 3 | 7B | 104 BPM | ||
| Think of me | Jessica An | B Major | 3 | 1B | 91 BPM |