Soli Kapadia's ' "Tasmai Namah - Studio" was released on its scheduled release date, February 20, 2017. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Shiv Shakti Sansar (Studio)". In this album, this song's track order is #33. Based on our statistics, Tasmai Namah - Studio's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tasmai Namah - Studio by Soli Kapadia having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Kanha Kala (Gujrati Krishna Aarti) | Shivram Parmar, Chandra Kamal | F♯ Major | 8 | 2B | 95 BPM | ||
| Kanudo Su Jane Mari Preet | Hari Bharwad | D♭ Major | 7 | 3B | 122 BPM | ||
| Chintaya Mama Manasa hari | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Aaj Yamunaji Padharya Mare Gher | Ami Joshi | A♭ Major | 5 | 4B | 152 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM | ||
| Aarti Kijie Hanuman Lala Ki | Manjeera Ganguly, Kuldeep Shukla | D Major | 7 | 10B | 100 BPM | ||
| Kuthe Shodhu Mi Tumhala | Ajeet Kumar Kadkade | B♭ Major | 6 | 6B | 103 BPM | ||
| Om Shiv Omkara | Sarita Joshi | F Major | 4 | 7B | 94 BPM | ||
| Mann Ke Anhariya | Anand Mohan, Palak, Madhukar Anand | D Minor | 7 | 7A | 80 BPM | ||
| Main To Giridhar Ke Ghar Jaoon | Susmita Das | D♭ Major | 5 | 3B | 140 BPM | ||
| Man Mein Umang Le Ke Aaye Sharan | Shraddhaa Bandodkar | G Minor | 5 | 6A | 77 BPM | ||
| Sajan Nu Naam | Soli Kapadia | D Major | 5 | 10B | 114 BPM | ||
| Ranu Bai Ka Aangana Ma | Vaishali Sen, Motha Kharte | F♯ Major | 5 | 2B | 91 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Shringar Tera Laal Hai | Dhatri Devotionals, Sushant Dev | F Minor | 5 | 4A | 87 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Murliwale Ne Gher Lai | Hari Om Sharan | F♯ Major | 7 | 2B | 93 BPM | ||
| Barsane Ki Chhori Radha Gori Gori | Nidhi Dholakia | E Major | 7 | 12B | 114 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Buddhatv Paahuni | Prahlad Shinde | A♭ Major | 4 | 4B | 142 BPM | ||
| Mara Hriday Ni Vaat | Soli Kapadia | F Major | 2 | 7B | 108 BPM | ||
| O Kanha Ab To Murli Ki | Larissa Almeida | A♭ Minor | 6 | 1A | 75 BPM | ||
| Prarthana | Nisha, Soli Kapadia | C Minor | 3 | 5A | 84 BPM | ||
| Bhule Man Samajh Ke | Madan Gopal | F♯ Major | 4 | 2B | 130 BPM |