"Inbound Part 3" by Joel Nielsen had its release date on September 1, 2012. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 30 in Black Mesa Soundtrack by Joel Nielsen. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Inbound Part 3 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Inbound Part 3 by Joel Nielsen is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forgotten Moon | Arnaud Roy | A♭ Major | 4 | 4B | 144 BPM | ||
| Orwell (Title Theme) | feeding | ear | F Minor | 1 | 4A | 142 BPM | ||
| Fathomless Tomb | Sophus Alf, Troels Rohde Jørgensen | D Major | 2 | 10B | 104 BPM | ||
| Entering TYM | Michael McCann | C Major | 2 | 8B | 100 BPM | ||
| Dodging Bullets | Petri Alanko | D♭ Major | 9 | 3B | 150 BPM | ||
| NMS_exteriorAtmos1/False Suns | 65daysofstatic | C Major | 6 | 8B | 125 BPM | ||
| Android Hell | Aperture Science Psychoacoustic Laboratories | G Major | 1 | 9B | 133 BPM | ||
| Symbols | AfterInfinity, Evan Royalty | F Major | 0 | 7B | 133 BPM | ||
| Power Up | Joel Nielsen | B♭ Major | 3 | 6B | 92 BPM | ||
| Choice and Consequences | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Remembrance | dreissk | B♭ Minor | 4 | 3A | 91 BPM | ||
| Assault on the Sentinel | Stephen Barton | D♭ Major | 7 | 3B | 91 BPM | ||
| Adam Jensen 2.0 Trailer | Sascha Dikiciyan | F♯ Minor | 6 | 11A | 110 BPM | ||
| Over the Threshold | Ludvig Forssell | D♭ Minor | 8 | 12A | 146 BPM | ||
| Planning - Degrees of Violence | Zack Bower | C Major | 2 | 8B | 94 BPM | ||
| The Sigils of Our Name | Damjan Mravunac | E Minor | 1 | 9A | 72 BPM | ||
| Desolated | Geneburn | A Minor | 5 | 8A | 114 BPM | ||
| Kinetic Engagement | Ben Frost | A♭ Major | 5 | 4B | 109 BPM | ||
| Janus | Sascha Dikiciyan | G Major | 6 | 9B | 120 BPM | ||
| Pause That | Brandon McKagan | A♭ Major | 10 | 4B | 180 BPM | ||
| The Colony | Stephen Barton | F Major | 6 | 7B | 162 BPM | ||
| Vague Voices | Valve | E♭ Major | 3 | 5B | 67 BPM | ||
| Penultimatum | morch kovalski | F Major | 10 | 7B | 105 BPM | ||
| Polar (Day) | Bubson | D Major | 4 | 10B | 110 BPM | ||
| Coward's Crossing | Sophus Alf, Troels Rohde Jørgensen | D Major | 2 | 10B | 104 BPM |