Jay-Way's 'Tomorrow Became Today' had a release date set for November 24, 2015. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jay-Way's "Jaynalysis" album is number 1 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Tomorrow Became Today's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tomorrow Became Today by Jay-Way to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Homies | Ausar | B Minor | 7 | 10A | 77 BPM | ||
| Stickin' (feat. Masego & VanJess) | Sinéad Harnett, Masego, VanJess | A♭ Minor | 4 | 1A | 83 BPM | ||
| Lavender Dreams (feat. Bobby Freemont) | Terrell Morris, Bobby Freemont | F Major | 5 | 7B | 66 BPM | ||
| Better Kind of Bitter | Peachy Pavement, Jobii, L.M. Styles, Milva | G Minor | 4 | 6A | 84 BPM | ||
| All That Matters | Kaleb Mitchell | E Major | 5 | 12B | 141 BPM | ||
| Velvet Machine Gun | The Gentleman Glitch | D Major | 5 | 10B | 109 BPM | ||
| No Further | Anike | B Minor | 7 | 10A | 109 BPM | ||
| Be Easy | KWAYE | F Minor | 6 | 4A | 112 BPM | ||
| Who You Are | Kwaku Asante | F♯ Major | 5 | 2B | 110 BPM | ||
| Terry Crews | Lo Village | C Major | 5 | 8B | 160 BPM | ||
| H4U | Paul Russell | F♯ Major | 6 | 2B | 86 BPM | ||
| Broken Parts | Sharp Dialect | D♭ Major | 6 | 3B | 120 BPM | ||
| Proud (feat. Jered Sanders & Charrell Angela) | Mission, Jered Sanders, Charrell Angela | A♭ Minor | 7 | 1A | 120 BPM | ||
| Pretty Girl Privilege | Jay-Way | G Major | 8 | 9B | 122 BPM | ||
| Just a Little | Masego, DE'WAYNE | A Minor | 5 | 8A | 122 BPM | ||
| Better or Worst | Ruslan, Paul Russell | C Major | 4 | 8B | 138 BPM | ||
| REGARDLESS | 350 | G Major | 7 | 9B | 124 BPM | ||
| You Ain't Gotta Be Alone (Enhanced) | L. Wes, SPARXXX P | G Major | 3 | 9B | 78 BPM | ||
| Still Water | Gaidaa | G Major | 6 | 9B | 160 BPM | ||
| no more praying, | 350 | G Minor | 6 | 6A | 140 BPM | ||
| Maraka | Ayotemi, Jah True | B♭ Minor | 3 | 3A | 82 BPM | ||
| Sum Good | Rosehardt | F♯ Major | 6 | 2B | 150 BPM | ||
| Guilt Trip | syd B, Floyd Fuji | A Minor | 7 | 8A | 94 BPM | ||
| Muscle Memory | Matt McGhee | A♭ Minor | 7 | 1A | 131 BPM | ||
| On The Rise | Jay-Way | B♭ Major | 6 | 6B | 140 BPM |