David Slusser, Ralph Carney, Chris Ackerman, Bill Fairbanks's ' "Ornette-Thology" was released on its scheduled release date, November 6, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rubber City". In this album, this song's track order is #7. Based on our statistics, Ornette-Thology's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ornette-Thology by David Slusser, Ralph Carney, Chris Ackerman, Bill Fairbanks having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| Baby, You Know | Chico Hamilton | D♭ Major | 3 | 3B | 70 BPM | ||
| Don't Worry 'Bout Me | Barney Kessel, Ray Brown, Shelly Manne | F Minor | 0 | 4A | 77 BPM | ||
| Blues For Brother George Jackson | Archie Shepp | B Major | 5 | 1B | 124 BPM | ||
| Twist City | Johnny Griffin, Matthew Gee | F Minor | 3 | 4A | 136 BPM | ||
| Louisiana | Barney Kessel | C Minor | 2 | 5A | 142 BPM | ||
| A Night In Barcelona | Bobby Hutcherson, Harold Land | B Major | 6 | 1B | 144 BPM | ||
| Delight At The End Of The Tunnel | David Slusser | A♭ Major | 4 | 4B | 100 BPM | ||
| You Can Depend On Me | Earl Hines | F Minor | 4 | 4A | 93 BPM | ||
| Nowhere Fast | David Slusser | D Major | 3 | 10B | 157 BPM | ||
| Morning After Blues | Sonny Stitt | G Major | 2 | 9B | 178 BPM | ||
| Will You Still Be Mine | Ron Carter | F Minor | 2 | 4A | 86 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Compliments of the Evening | Bronze Oracle | F♯ Major | 2 | 2B | 72 BPM | ||
| Keep It Moving (Take 3) | Wynton Kelly | F Minor | 2 | 4A | 78 BPM | ||
| Sweet Pea | Wayne Shorter | E♭ Major | 3 | 5B | 116 BPM | ||
| Gee, Baby, Ain't I Good to You (From 'Kath Meets Humph') | Humphrey Lyttelton | E Minor | 3 | 9A | 101 BPM | ||
| Teenie's Blues | Oliver Nelson | F Minor | 3 | 4A | 135 BPM | ||
| Our Miss Brooks | Harold Vick | C Major | 3 | 8B | 102 BPM | ||
| Be Deedle De Do | Barney Kessel, Shelly Manne, Ray Brown | G Minor | 1 | 6A | 62 BPM | ||
| Smooth Sailing | Arnett Cobb | F♯ Major | 3 | 2B | 130 BPM | ||
| Blue Room - Rudy Van Gelder Edition/2006 Digital Remaster | Thad Jones | A♭ Major | 2 | 4B | 107 BPM | ||
| Anigel Eyes | Austyn Ziemann | C Major | 2 | 8B | 117 BPM | ||
| Tin Roof Blues | Herb Ellis | B♭ Major | 1 | 6B | 90 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM |