Rise Stevens, Raoul Jobin, Metropolitan Opera Orchester's 'C´est toi? c´est moi! (Carmen)' had a release date set for August 24, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 13 out of 15. C´est toi? c´est moi! (Carmen) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of C´est toi? c´est moi! (Carmen) by Rise Stevens, Raoul Jobin, Metropolitan Opera Orchester to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mignon: De mon ami, monsieur, excusez la folie | Ambroise Thomas, Mimi Benzell, Donald Dame, James Melton, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Norma / Act 2 Scene 1: "Si, fino all’ore estreme" (Critical Ed. Maurizio Biondi and Riccardo Minasi) | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | ||
| Cherubini: Medea, Act 3: "E che? lo son Medea!" (Medea, Chorus, Giasone, Neris) | Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Miriam Pirazzini, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 98 BPM | ||
| La Cenerentola, Act I: Aria. Una volta c'era un re | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 91 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Recitativo: "Euridice, Euridice!" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra, Rise Stevens | D Minor | 2 | 7A | 98 BPM | ||
| Don Giovanni, K. 527, Act II: No. 18, Vedrai, carino | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Danny Boy (Old Irish Air) | Traditional, Rise Stevens | B♭ Major | 2 | 6B | 64 BPM | ||
| El Barberillo de Lavapiés: Canción de Paloma | Francisco Asenjo Barbieri, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino, Claudio Fenoglio | A Major | 2 | 11B | 142 BPM | ||
| Si tu m'aimes, Carmen (Carmen) | Robert Merrill, RCA Victor Orchestra, Rise Stevens | E Minor | 3 | 9A | 92 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| Die Fledermaus: Act II: Oh, mon ami, we'll meet again | Johann Strauss II, Oscar Danon, Richard Lewis, John Hauxvell, George London, Anna Moffo, Jeanette Scovotti, Rise Stevens, Vienna State Opera Orchestra | D Major | 5 | 10B | 171 BPM | ||
| Carmen: Tra, la la, la, la, la . . . Coupe-moi, brûle-moi | Georges Bizet, Rise Stevens, Osie Hawkins, Richard Tucker, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM | ||
| Introduction / Summertime: A woman is a sometime thing | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | E Major | 2 | 12B | 135 BPM | ||
| La Gioconda / Act 1: Carneval! Baccanal! | Amilcare Ponchielli, Rodney Macann, Montserrat Caballé, Alfreda Hodgson, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | D♭ Major | 2 | 3B | 77 BPM | ||
| Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | E♭ Major | 2 | 5B | 91 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Scena: "Ciel! Rivederla potrò!" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | C Major | 2 | 8B | 130 BPM | ||
| Introduction / Summertime: Ha-da-da, ha-da-da... It ain't necessarily so | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | A Major | 3 | 11B | 70 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Com' è gentil la notte a mezzo" (Ernesto, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Philharmonia Orchestra | A Major | 0 | 11B | 70 BPM | ||
| Introduction / Summertime: My man's gone now | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | G Minor | 2 | 6A | 89 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM |