"Ruby" by Craig Armstrong had its release date on January 1, 1999. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Ruby's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Plunkett And Macleane". In this album, this song's track order is #3. Based on our statistics, Ruby's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ruby by Craig Armstrong having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Unrequited Love | Ari Posner, Amin Bhatia | G Minor | 0 | 6A | 84 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Into The Sea | Stuart Earl | F Minor | 0 | 4A | 96 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Maestro | Hans Zimmer | C Major | 2 | 8B | 149 BPM | ||
| Separate Lives | Gabriel Yared | C Minor | 2 | 5A | 150 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| Awaken (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | C Minor | 0 | 5A | 77 BPM | ||
| The Big Relief | Kevin Smuts | A Minor | 1 | 8A | 97 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| The Wedding | Jóhann Jóhannsson | B♭ Major | 2 | 6B | 135 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Jamie's Memory | Alex Heffes | D♭ Minor | 1 | 12A | 174 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Oak Leaves | Craig Armstrong | D Minor | 1 | 7A | 73 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM |