Asha Bhosle, Mohammed Rafi's ' "In Baharon Men" was released on its scheduled release date, January 1, 1966. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roshan, Majrooh Sultanpuri's "Mamta" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In Baharon Men is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of In Baharon Men by Asha Bhosle, Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ja Tose Nahin Bolun Kanhaiya | Lata Mangeshkar, Manna Dey, Shailendra | D♭ Major | 4 | 3B | 101 BPM | ||
| Dil Ke Arman Ansuon Men Bah Gaye | Salma Agha | A♭ Major | 4 | 4B | 108 BPM | ||
| Tum Mujhe Bhool Bhi Jao (From "Didi") | Sudha Malhotra, Mukesh | E♭ Major | 2 | 5B | 86 BPM | ||
| Tum Itni Sundar Ho | K. J. Yesudas, Preeti Sagar | A Major | 5 | 11B | 110 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Katra Katra - With Dialogues | Naseeruddin Shah, Rekh, Asha Bhosle, R. D. Burman | B Major | 3 | 1B | 97 BPM | ||
| Are Kisne Chilman Se Mara | Manna Dey, S. D. Burman | F♯ Major | 7 | 2B | 79 BPM | ||
| Jeevan Mein Piya Tera Saath Rahe | Lata Mangeshkar, Mohammed Rafi | C Major | 5 | 8B | 114 BPM | ||
| Mere Khayalon Ki Rah Guzar Se | Anwar Hussain, Laxmikant–Pyarelal | B♭ Minor | 9 | 3A | 84 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Dukh Bhare Din Beete Re | Mohammed Rafi, Shamshad Begum, Asha Bhosle, Manna Dey, Shakeel Badayuni | A♭ Major | 7 | 4B | 172 BPM | ||
| Tera Naam Liya | Manhar Udhas, Anuradha Paudwal, Laxmikant–Pyarelal | F Minor | 8 | 4A | 131 BPM | ||
| Chup Hai Dharti Chup Hai Chand | Hemant Kumar | D Major | 3 | 10B | 167 BPM | ||
| Ankhon Hi Ankhon Mein | O. P. Nayyar, Jan Nisar Akhtar | F Major | 4 | 7B | 159 BPM | ||
| Aap Yun Hi Agar Humse Milte Rahe | Asha Bhosle, Mohammed Rafi | B♭ Minor | 4 | 3A | 140 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| Saathiya Nahin Jana | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | G Major | 6 | 9B | 156 BPM | ||
| Chandra Aahe Sakshiila | Sudhir Phadke, Asha Bhosle | A Minor | 3 | 8A | 95 BPM | ||
| Na Socha Tha Yeh (From "Babul") | Shamshad Begum | C Minor | 4 | 5A | 149 BPM | ||
| Leke Dil Chupke Se | Suraiya | D♭ Major | 2 | 3B | 163 BPM | ||
| Dil-E-Betaab Ko Seene Se Lagana | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 1 | 2B | 119 BPM | ||
| Tum Mile Pyar Se | Kishore Kumar, Asha Bhosle, Kalyanji-Anandji | F Major | 6 | 7B | 98 BPM | ||
| Kabhi Khwab Mein | Talat Aziz, Dilraj Kaur | F Minor | 4 | 4A | 126 BPM | ||
| Mat Ro Mata Lal Tere | Manna Dey, S. D. Burman | F Major | 6 | 7B | 104 BPM |