"Lyle - Original Version" by Riccardo Fassi, Gary Smulyan had its release date on October 13, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Riccardo Fassi, Gary Smulyan's "L'amico immaginario" album is number 12 out of 12. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Lyle - Original Version's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lyle - Original Version by Riccardo Fassi, Gary Smulyan to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alfonsina y el Mar (Arr. for Viola and Ensemble by Joan Albert Amargós) | Ariel Ramírez, Dana Zemtsov, Anna Fedorova, André Groen, Nicholas Schwartz, Angelo Verploegen | E Minor | 1 | 9A | 93 BPM | ||
| Miss B | Riccardo Fassi | E Minor | 2 | 9A | 133 BPM | ||
| Festa no serao - 1998 Remastered Version | Heitor Villa-Lobos, Cristina Ortiz | D♭ Minor | 1 | 12A | 133 BPM | ||
| Promise Me - Single Edit | Suzan Veneman, Timothy Banchet | C Major | 1 | 8B | 106 BPM | ||
| The Things We Carry | Marty Holoubek, Shun Ishiwaka, 渡辺翔太 | D♭ Major | 2 | 3B | 93 BPM | ||
| Dantza | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | D Major | 4 | 10B | 83 BPM | ||
| Aida / Act 1: Danza sacra del Sacerdotesse - Immenso Fthà - Mortal, diletto ai Numi | Giuseppe Verdi, Plácido Domingo, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E♭ Major | 0 | 5B | 83 BPM | ||
| Piano Concerto No. 6, Op. 74: III. Allegro giocoso | Nikolai Kapustin, Frank Dupree, The SWR Big Band, Jakob Krupp, Meinhard Jenne, Dominik Beykirch | D Major | 6 | 10B | 114 BPM | ||
| Expeditions | Danilo Perez, Bohuslän Big Band, Alberto Pinton, Niclas Rydh | C Major | 2 | 8B | 83 BPM | ||
| Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM | ||
| Tosca, Act I: Mia gelosa! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Puccini: La bohème, Act 1: "Al Quatiere latin ci attende Momus" (Schaunard/Marcello/Rodolfo/Colline) | Giacomo Puccini, Manuel Spatafora, Rolando Panerai, Giuseppe Di Stefano, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | B Minor | 1 | 10A | 66 BPM | ||
| Rumbop Swing | Chano Dominguez, Emaginario, Carlos Henriquez, Obed Calvaire | G Major | 5 | 9B | 127 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Casa Pueblo | Noah Preminger, Kim Cass, Terreon Gully, Ely Perlman | D♭ Major | 3 | 3B | 126 BPM | ||
| El Eco de Un Tambor: 6. Jaleo | Prism Quartet, Miguel Zenón | F Major | 1 | 7B | 79 BPM | ||
| Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarino, Coro, Liù) | Giacomo Puccini, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 2 | 2B | 78 BPM | ||
| Aquí no hay nadie (extracto) | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco | C Major | 2 | 8B | 80 BPM | ||
| Amico immaginario (Gary smulyan out) - Original Version | Riccardo Fassi, Gary Smulyan | F Minor | 2 | 4A | 148 BPM | ||
| Poulenc: Banalités, FP 107: No. 5, Sanglots | Francis Poulenc, Véronique Gens, Roger Vignoles | F♯ Major | 0 | 2B | 115 BPM | ||
| El Eco de Un Tambor: 5. Variación #2 | Prism Quartet, Miguel Zenón | A Major | 1 | 11B | 69 BPM | ||
| Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Ah! bello a me ritorna" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 4 | 7B | 81 BPM | ||
| Piano Concerto No. 6, Op. 74: II. Larghetto | Nikolai Kapustin, Frank Dupree, The SWR Big Band, Jakob Krupp, Meinhard Jenne, Dominik Beykirch | B♭ Major | 1 | 6B | 118 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): IV. Canto del Angelito | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM |