Rosenstolz's 'Alles wird besser' had a release date set for September 29, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 15 in Die Schlampen sind müde by Rosenstolz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Alles wird besser is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Alles wird besser by Rosenstolz is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Würfelspiel | Juliane Werding | D Major | 6 | 10B | 95 BPM | ||
| Deine Nähe tut mir weh | Revolverheld | C Major | 6 | 8B | 77 BPM | ||
| Vor meinem Fenster steht ein Baum | Hans Hartz | G Major | 3 | 9B | 135 BPM | ||
| Freundinnen Müßte Man Sein | Queen Bee | B Minor | 4 | 10A | 82 BPM | ||
| Das Größte | Revolverheld | A♭ Major | 5 | 4B | 134 BPM | ||
| Schön wie die Nacht | Juliane Werding | B♭ Minor | 8 | 3A | 89 BPM | ||
| Du bist so schön, auch wenn Du weinst (Hey Du) | Ensemble Des Grips Theaters | D Major | 5 | 10B | 80 BPM | ||
| Lied zum Schluss - Zu Dritt Version | GLEIS 8 | A Major | 2 | 11B | 156 BPM | ||
| Betrunkenes Liebeslied | Wenzel | E Major | 5 | 12B | 108 BPM | ||
| Medizin | Alexa Feser | G Major | 7 | 9B | 132 BPM | ||
| Track 5 | AnNa R. | D Minor | 4 | 7A | 82 BPM | ||
| Wenn du dich traust - Tour Edition | Annett Louisan, Laith Al-Deen | E Minor | 4 | 9A | 126 BPM | ||
| Fünfundneunzig Tage | Hans Hartz | A Major | 5 | 11B | 87 BPM | ||
| Die weißen Tauben sind müde | Hans Hartz | D Major | 5 | 10B | 107 BPM | ||
| An einem Morgen im April | Rosenstolz | B Major | 2 | 1B | 118 BPM | ||
| Schweissperlen - Newly Recorded 2015 | Klaus Lage | C Major | 5 | 8B | 140 BPM | ||
| Du knallst in mein Leben | Udo Lindenberg & Das Panik-Orchester | A Minor | 9 | 8A | 138 BPM | ||
| Sage nein! | Konstantin Wecker | A Minor | 7 | 8A | 125 BPM | ||
| Dunkelrot | GLEIS 8 | A♭ Minor | 2 | 1A | 168 BPM | ||
| Wahre Liebe | Achim Reichel | G Major | 8 | 9B | 105 BPM | ||
| Wenn du mich suchst | Anna Loos | D♭ Minor | 4 | 12A | 82 BPM | ||
| Schweißperlen - Remastered 2011 | Klaus Lage | C Major | 6 | 8B | 139 BPM | ||
| Von Ewigkeit zu Ewigkeit | Selig | E Minor | 8 | 9A | 178 BPM | ||
| Sie liebt à la Carte | Frank Ramond | E Minor | 4 | 9A | 114 BPM | ||
| Die Einzige | Alina | F♯ Minor | 4 | 11A | 73 BPM |