Jacques Offenbach, Munich Radio Orchestra, Willy Mattes's ' "Offenbach: Pariser Leben: Akt V, Entr'acte" was released on its scheduled release date, 1983. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Offenbach: Pariser Leben (Cologne Collection)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. The popularity of Offenbach: Pariser Leben: Akt V, Entr'acte is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Offenbach: Pariser Leben: Akt V, Entr'acte by Jacques Offenbach, Munich Radio Orchestra, Willy Mattes having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pachelbel - Canon In D | Hollywood Symphony Orchestra | D Major | 1 | 10B | 102 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
| Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
| Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 4: "Messieurs, silence" - Barcarolle. "Belle nuit, ô nuit d'amour" (Hoffmann, Nicklausse, Giulietta, Chœur) | Jacques Offenbach, Kent Nagano, Catherine Dubosc, Sumi Jo, Roberto Alagna, Choeur De l'Opéra National De Lyon, Orchestre De L'Opéra National De Lyon | D Major | 2 | 10B | 95 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Mozarteum Orchestra Salzburg, Ivor Bolton | G Minor | 2 | 6A | 105 BPM | ||
| La vie parisienne: Barcarolle | Jacques Offenbach, Eugene Ormandy, Philadelphia Orchestra | D Major | 1 | 10B | 145 BPM | ||
| Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
| Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn, Orchester der Tiroler Festspiele | G Major | 4 | 9B | 91 BPM | ||
| Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
| Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | ||
| Le nozze di Figaro, K.492: Overture | Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 2 | 12A | 93 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
| Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
| The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
| Offenbach: La Belle Hélène, Act 1: Finale. "Gloire ! Gloire au berger victorieux" (Chœur, Agamemnon, Hélène, Oreste, Ménélas, Ajax I, Ajax II, Achille, Pâris, Calchas) | Jacques Offenbach, Marc Minkowski, Alain Gabriel, Choeur des Musiciens du Louvre, Éric Huchet, Felicity Lott, Françoix Le Roux, Laurent Alvaro, Laurent Naouri, Marie-Ange Todorovitch, Michel Sénéchal, Yann Beuron, Les Musiciens du Louvre | F Major | 1 | 7B | 94 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM |