"Become" by Lennard Kastner had its release date on April 10, 2022. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "This Is How Silence Should Sound Like". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Turks and Caicos Islands. Become is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Become by Lennard Kastner having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Broken People | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | B♭ Major | 2 | 6B | 114 BPM | ||
| Re: Unwanted Tears | Philip Daniel, Shawn Williams | B Major | 3 | 1B | 179 BPM | ||
| Far Off Midnight | Tamara Mandl | E♭ Major | 0 | 5B | 150 BPM | ||
| Mystique | Evalian Massey | E♭ Minor | 1 | 2A | 122 BPM | ||
| Why'd You Only Call Me When You're High (Violin) | Dramatic Violin | F♯ Major | 9 | 2B | 96 BPM | ||
| The Beauty of Obscurity | Franco Robert | F♯ Minor | 0 | 11A | 70 BPM | ||
| Ark Ascending | Ursine Vulpine | G Minor | 4 | 6A | 59 BPM | ||
| Burlone | Karim Medlej | G Minor | 2 | 6A | 78 BPM | ||
| Of One Heart | Simon Daum | D Major | 2 | 10B | 208 BPM | ||
| Under the Stars | Javi Lobe, Francois Mathian | C Major | 1 | 8B | 143 BPM | ||
| Our Deepest Secrets | Johannes Bornlöf | D Major | 7 | 10B | 120 BPM | ||
| Emptiness | Samuel Backof | D Minor | 0 | 7A | 127 BPM | ||
| John's Song | Kelsey Woods | D Major | 0 | 10B | 65 BPM | ||
| Sweeteyes | Luca Mazzillo | E Minor | 0 | 9A | 131 BPM | ||
| Aprilregen | Jakob Balogh | F Minor | 1 | 4A | 135 BPM | ||
| Pure Solitary | Tamara Mandl | E♭ Minor | 2 | 2A | 210 BPM | ||
| Pulling a Thread | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| Mystery of Love (Violin) | Dramatic Violin | G Major | 7 | 9B | 120 BPM | ||
| Frozen Flowers | Michael Maas | B♭ Major | 0 | 6B | 78 BPM | ||
| Memory | Danilo Stankovic | B Minor | 2 | 10A | 160 BPM | ||
| Adventure | Mahmoud Valanejad | D♭ Major | 1 | 3B | 89 BPM | ||
| embrace | Vontmer | F Minor | 0 | 4A | 133 BPM | ||
| A Lucid Moment | Hendyamps Studios | C Minor | 1 | 5A | 82 BPM | ||
| Blue Sky | Distant Cowboy, Francesco Costanza | F Major | 1 | 7B | 83 BPM | ||
| Falling For | Francesco Le Metre | D Major | 1 | 10B | 176 BPM |