Rajendra Vaishampayan's ' "Adhay 12 Shlok 11 To Shlok 20" was released on its scheduled release date, February 3, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 78 in the song's album "Sampurn Dnyaneshwari Parayan". In this album, this song's track order is #40. Furthermore, we believe that the track originated from India. Adhay 12 Shlok 11 To Shlok 20 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Adhay 12 Shlok 11 To Shlok 20 by Rajendra Vaishampayan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Garuda Gayathri Mantra | Shankara Sastry | C Major | 4 | 8B | 112 BPM | ||
| Jagat Janani | Bhanumathi Narasimhan | F♯ Major | 8 | 2B | 111 BPM | ||
| Head | Rajendra Vaishampayan | F♯ Minor | 2 | 11A | 135 BPM | ||
| Kanakadara Stothram | Srikanth Sharma | E Major | 3 | 12B | 78 BPM | ||
| Ripples Of Emotions (Based On Raga Latangi) | Rajendra Vaishampayan | A♭ Major | 3 | 4B | 90 BPM | ||
| Vishnu Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM | ||
| MahaKal Bhairav Mantra 108 Times | Siddharth Shankar Srivastav | D Major | 4 | 10B | 123 BPM | ||
| Swamincha Naam Gajar | Kamalakar Tapasvi | C Major | 6 | 8B | 90 BPM | ||
| Ardhanareeshwara Stotram | Bhanumathi Narasimhan | A♭ Major | 1 | 4B | 183 BPM | ||
| Sankat Nashan Ganesh Stotra | Abhijit Ghoshal | D♭ Major | 4 | 3B | 100 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Knee | Rajendra Vaishampayan | F♯ Minor | 2 | 11A | 135 BPM | ||
| Sri Subrahmanya Karavalamba Stothram | Sri Brahmasri Sankara Sasthri, Sri Bharadhwaja Sasthri | A Major | 2 | 11B | 162 BPM | ||
| Shiva Mansa Puja | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Sri Varahi Dwadasa Nama Stotram | Bhandhavi | A Major | 2 | 11B | 122 BPM | ||
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Ganesa Astotram | Veeramanidasan | F Major | 3 | 7B | 98 BPM | ||
| Nrusimha Mruthyumjayam Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | B♭ Minor | 3 | 3A | 113 BPM | ||
| Saptashati Ahdyay 11 | Rajendra Vaishampayan | A♭ Major | 3 | 4B | 90 BPM | ||
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Trotakashtakam | Bhanumathi Narasimhan | G Major | 1 | 9B | 81 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM | ||
| Sri Pada Vallabha Banda Nodu | Sadguru SriSatUpasi, Devotees | D Major | 6 | 10B | 112 BPM | ||
| Runmukti Ganesh Stotra | Shubhangi Jhoshi | D♭ Major | 4 | 3B | 83 BPM | ||
| Renuka Stotr | Pt. V. K. Vaishampayan | F Major | 5 | 7B | 155 BPM |