Rutvi Pandya's ' "Veero Maro" was released on its scheduled release date, January 24, 2025. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Veero Maro's duration is considered a little bit shorter than the average duration of a typical track. Since Veero Maro only contains only one song in the album, we like to consider this song as a single. Based on our data, India was the country where this track was produced or recorded. In terms of popularity, Veero Maro is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Veero Maro by Rutvi Pandya has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Veero Maro being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tear Up Attitude | Ranchhod Ladol, Manish Thakor, Dharmesh Savli | D♭ Minor | 8 | 12A | 146 BPM | ||
| Aaj Sakhi Anand Ni Heli | Shree Swaminarayan Mandir Kalupur, Zalak Pandya, Aishwarya Majmudar | B Major | 5 | 1B | 170 BPM | ||
| Halo Dwarka Dudh Maliya | Savan Bharwad | B♭ Major | 9 | 6B | 174 BPM | ||
| Deval (Chillout Mix) | Mansi Kumawat, DJ Dharmesh Savli | E♭ Minor | 8 | 2A | 142 BPM | ||
| Harakh Ni Heli | Rajan Kapra | B Major | 5 | 1B | 170 BPM | ||
| Duniya Thi Shu Mari Duniya J Tu | Mahesh Vanzara, Dipesh Chavda | A Major | 9 | 11B | 143 BPM | ||
| Haalo Bayu | Aishwarya Majmudar, Raj Raninga | F Minor | 8 | 4A | 83 BPM | ||
| Preet Mari Rahi Gai Gokudiye | Yash Barot, Rutvi Pandya | F Minor | 7 | 4A | 200 BPM | ||
| Ramo Ramo | V4 Once More, Kushal Chokshi | C Major | 9 | 8B | 112 BPM | ||
| Nobita | Dharmik Bamosana | A♭ Minor | 8 | 1A | 170 BPM | ||
| Taru Daldu Leti Jaa | Kaushik Bharwad | B Major | 5 | 1B | 170 BPM | ||
| Hu Tane Vinvu Khodiyaar Ma (Dakla) | Rutvi Pandya | A♭ Major | 9 | 4B | 210 BPM | ||
| Dhana Ganu Tane Dhani | Nilesh Adraj | B♭ Minor | 8 | 3A | 151 BPM | ||
| Padmaa 2 | Pankaj Mistry | A Major | 8 | 11B | 92 BPM | ||
| Parlam Na Tomar Moto Hoite | Tanzil Misbah | B Major | 5 | 1B | 136 BPM | ||
| Bhaydo Eklo Aavse | Mahesh Vanzara, Dipesh Chavda | B♭ Major | 9 | 6B | 92 BPM | ||
| Saadgi | Utkarsh Singh | D Major | 9 | 10B | 112 BPM | ||
| Kasumbal Rang | Priya Saraiya, Jahnvi Shrimankar | B♭ Major | 8 | 6B | 140 BPM | ||
| Vhala Tari Vansli Re | Aakash Parmar, Bhargav Pandya, Katha Patel | F Minor | 5 | 4A | 80 BPM | ||
| Kalyug No Kirtar | Rinku Bharwad | E Major | 9 | 12B | 80 BPM | ||
| Baki Laage Chhe | Jainam Varia | G Major | 5 | 9B | 80 BPM | ||
| Hazrat Imam Hussain (A.S) | Amjad Baltistani | C Minor | 9 | 5A | 150 BPM | ||
| Deshi Bhadaka | Savan Bharwad, Mahesh Vanzara | B Major | 10 | 1B | 97 BPM | ||
| Phone Badlya Pan Phota Sachvya | Jayesh Sodha | D♭ Minor | 6 | 12A | 85 BPM | ||
| Megh Varse Lofi Mix | Kishan Raval | D♭ Major | 5 | 3B | 79 BPM |