"Roses" by Luke Abbott had its release date on November 20, 2020. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Translate". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Roses is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Roses by Luke Abbott having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angels | Dark Sky | A Minor | 5 | 8A | 92 BPM | ||
| Empyrean | Ben Lukas Boysen | F Minor | 5 | 4A | 120 BPM | ||
| We Are Made of Glass | Luke Abbott | B♭ Minor | 5 | 3A | 106 BPM | ||
| Tunnels | Ishmael Ensemble | F♯ Major | 7 | 2B | 125 BPM | ||
| Showreel, Pt. 1 | DjRUM | E♭ Major | 3 | 5B | 135 BPM | ||
| Full Panther | Amon Tobin | D Major | 2 | 10B | 109 BPM | ||
| Sea | Luke Abbott | E♭ Major | 0 | 5B | 75 BPM | ||
| Illusion Of Time | Daniel Avery, Alessandro Cortini | A Major | 3 | 11B | 132 BPM | ||
| Sublime Frequencies of Cairo | Acid Pauli | F♯ Minor | 3 | 11A | 181 BPM | ||
| Transition | Phil France | E♭ Major | 1 | 5B | 160 BPM | ||
| Possible Futures | Paradise Cinema | F Major | 5 | 7B | 125 BPM | ||
| White Lake | Deaf Center | B♭ Minor | 1 | 3A | 85 BPM | ||
| Kappsta | The Field | F Major | 4 | 7B | 123 BPM | ||
| Lost Ways | Pye Corner Audio | E♭ Major | 6 | 5B | 90 BPM | ||
| Nocturne 4 | Ben Lukas Boysen | D♭ Major | 2 | 3B | 120 BPM | ||
| Internal Panoramas | The Black Dog | E♭ Minor | 4 | 2A | 92 BPM | ||
| Humming Bird | Felix Rösch | G Minor | 4 | 6A | 110 BPM | ||
| Luxury | Martyn Heyne | F Minor | 0 | 4A | 51 BPM | ||
| Wingbeats Source III: Piano and Wings | Hidden Orchestra | D Major | 1 | 10B | 84 BPM | ||
| Yesterday's Entertainment | Pye Corner Audio | D Major | 1 | 10B | 80 BPM | ||
| In Threes | Loscil | C Minor | 1 | 5A | 120 BPM | ||
| Moments Descend On My Windowpane | Rafael Anton Irisarri | D Major | 2 | 10B | 81 BPM | ||
| Staub und Sterne | Bersarin Quartett | E Minor | 3 | 9A | 104 BPM | ||
| Motion in Field | Tom Rogerson, Brian Eno | G Minor | 3 | 6A | 150 BPM | ||
| Unsayable | Brambles | A♭ Minor | 3 | 1A | 120 BPM |