M. S. Rama Rao, Raavu Balasaraswathi's ' "Oh Malaya Pavanama" was released on its scheduled release date, December 1, 1952. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in B. Rajani Kanta Rao's "Mahavathi (Original Motion Picture Soundtrack)" album is number 1 out of 3. On top of that, India appears to be the country where this track was created. Based on our statistics, Oh Malaya Pavanama's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Oh Malaya Pavanama by M. S. Rama Rao, Raavu Balasaraswathi to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Narayana Suktam | Vighnesh Ghanapaathi, Gurumurthi Bhat, Shridhara Bhat Vedadhara | A Major | 4 | 11B | 125 BPM | ||
| Ashtalakshmi Sthotram | B.Ramana | B♭ Major | 5 | 6B | 125 BPM | ||
| Sree Mangala Chandika Stotra | S. Janaki | D♭ Major | 4 | 3B | 107 BPM | ||
| Pallikattu Shabarimaiku | Muralidhar, Pondhuri Prasad, Maharajapuram Ramu | D Major | 6 | 10B | 83 BPM | ||
| Nithyanandakari | Mambalam Sisters Vijayalakshmi-Chitra & B. Ramana | C Major | 4 | 8B | 139 BPM | ||
| Nee Padhamula | M. M. Keeravaani, Sunitha | E Major | 5 | 12B | 151 BPM | ||
| Muddugare Yesoda - Priya Sisters | Haripriya, Shanmukha Priya | D♭ Major | 5 | 3B | 145 BPM | ||
| Slokam | Surya, R. Vijayalakshmi, R. Chitra | D Major | 7 | 10B | 126 BPM | ||
| Seetharama Kalyanam (Padyam), Pt. 1 | Ghantasala, M. S. Rama Rao | A♭ Major | 4 | 4B | 71 BPM | ||
| Jai Sri Shirdi | V. Ramakrishna | D Major | 6 | 10B | 93 BPM | ||
| Ganapati Thalam | Dr. R. Thiagarajan | F Major | 7 | 7B | 145 BPM | ||
| Kaal Bhairav Ashtakam | Shree Naval Kishori | F Major | 7 | 7B | 172 BPM | ||
| Sri Ganadham | Purna Chander, S.Srinivas | A Major | 7 | 11B | 99 BPM | ||
| Chudaramma Sathulala | Manisha Eerabathini | E Minor | 4 | 9A | 123 BPM | ||
| Sadi Seyako Gaali | P. Leela | B Minor | 3 | 10A | 85 BPM | ||
| Sri Hanuman Dandakam | Partha Saradhi | D Major | 9 | 10B | 166 BPM | ||
| Maa Telugu Talliki | Tanguturi Suryakumari | E Minor | 4 | 9A | 107 BPM | ||
| Sri Mahalakshmi Suprabatham | Dr. R. Thiagarajan | C Major | 4 | 8B | 117 BPM | ||
| Jananee Sivakaminee | P. Susheela | E♭ Minor | 6 | 2A | 83 BPM | ||
| Maalai Saatrinaal | Traditional, Charulatha Mani | A♭ Major | 9 | 4B | 160 BPM | ||
| Ayya Ninu Maruvanu Ayyappa Ninu Maruvanu | A. Jangi Reddy | D Major | 8 | 10B | 110 BPM | ||
| Deva Devam Bhaje (Raga Hindolam) - Ms Subbulakshmi | M. S. Subbulakshmi, Radha Viswanathan | E♭ Major | 8 | 5B | 127 BPM | ||
| Muddu Gaare | Aparna Nandan | E♭ Major | 5 | 5B | 152 BPM | ||
| Annapoorna Stotram | Seven | D♭ Major | 2 | 3B | 124 BPM |