Orquesta El Arranque's ' "Aerotango" was released on its scheduled release date, 1999. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 17 in Cabulero by Orquesta El Arranque. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Aerotango's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Aerotango by Orquesta El Arranque is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vieja amiga | Jose Basso, Floreal Ruiz | A Minor | 2 | 8A | 175 BPM | ||
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| La Novena | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Major | 5 | 11B | 128 BPM | ||
| A Ernesto Sábato | Leopoldo Federico, Orquesta El Arranque | E Minor | 3 | 9A | 114 BPM | ||
| Si nos queremos todavia | Orquesta Carlos di Sarli, Jorge Durán | C Minor | 3 | 5A | 126 BPM | ||
| Morena | Hyperion Ensemble | E Minor | 8 | 9A | 102 BPM | ||
| Te Estaba Esperando | Osvaldo Pugliese y su Orquesta | F♯ Major | 2 | 2B | 83 BPM | ||
| Mas Solo Que Nunca | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Muchacha | Félix Lípesker, Jorge Maciel, Orquesta Osvaldo Pugliese | D Minor | 2 | 7A | 126 BPM | ||
| Como Se Hace un Tango | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Trenzas | Orquesta Típica Andariega, Marisol Martinez | A Minor | 4 | 8A | 86 BPM | ||
| Ensueños | Sexteto Mayor | E Minor | 2 | 9A | 114 BPM | ||
| La Yumba | Bandonegro | A Minor | 5 | 8A | 123 BPM | ||
| Hotel Victoria | La Tubatango | A Major | 4 | 11B | 155 BPM | ||
| Sin Estrellas | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Minor | 5 | 8A | 126 BPM | ||
| Selección de Gardel: Mi Buenos Aires Querido / Melodía de Arrabal / Sus Ojos Se Cerraron / Cuesta Abajo | Orquesta El Arranque | G Major | 3 | 9B | 77 BPM | ||
| Jueves | Orquesta Juan D' Arienzo | B Minor | 5 | 10A | 126 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| El Adios | Analia Goldberg | B Minor | 4 | 10A | 79 BPM | ||
| Milonga del 38 | Miguel Villasboas y Su Orquesta Típica | F Minor | 6 | 4A | 107 BPM | ||
| Malena | Roberto Alvarez, Estilo Para Bailar | C Minor | 4 | 5A | 114 BPM | ||
| La Entrerriana | Alfredo Gobbi | D Minor | 3 | 7A | 97 BPM | ||
| Milonga del '83 | La Juan D'Arienzo | G Major | 5 | 9B | 107 BPM | ||
| Payadora (Arr. F. Dorling) | Trio Hugo Diaz | G Major | 4 | 9B | 113 BPM |