Smithfield's ' "When You're Gone" was released on its scheduled release date, June 23, 2017. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since When You're Gone only contains only one song in the album, we like to consider this song as a single. The popularity of When You're Gone is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since When You're Gone by Smithfield has a tempo of 162 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With When You're Gone being at 162 BPM, the half-time would be 81 BPM with a double-time of 324 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Might As Well Be Me | Chad Brownlee | A Major | 8 | 11B | 148 BPM | ||
| Things I've Loved & Lost | Luke Pell | A♭ Major | 8 | 4B | 140 BPM | ||
| Drop Everything | Carlton Anderson | C Major | 9 | 8B | 109 BPM | ||
| Summer Cool | Stephen Carey | A♭ Major | 5 | 4B | 81 BPM | ||
| I'm Down | Murphy Elmore | D♭ Minor | 9 | 12A | 150 BPM | ||
| Fast Girl | Seth Ennis | E♭ Major | 7 | 5B | 92 BPM | ||
| Mr. Right Now | Ty March. | A♭ Major | 8 | 4B | 140 BPM | ||
| Gimme a Red Light | Dylan Schneider | G Major | 8 | 9B | 148 BPM | ||
| Hurt Good | James Dupré | A Major | 7 | 11B | 153 BPM | ||
| Why Can’t She | Adam Craig | A♭ Major | 8 | 4B | 80 BPM | ||
| Southern Drawl | Jon Langston | G Major | 8 | 9B | 78 BPM | ||
| Number in My Phone | Brandon Ratcliff | D Major | 8 | 10B | 90 BPM | ||
| Home With Her | John Gurney | G Minor | 6 | 6A | 80 BPM | ||
| Ain't Always Pretty | Logan Mize | D♭ Major | 8 | 3B | 160 BPM | ||
| Never Just a Call | Barrett Baber | F♯ Minor | 8 | 11A | 146 BPM | ||
| Hit Song | Carter Winter | F♯ Major | 8 | 2B | 85 BPM | ||
| Put A Label On It | Ryan Follese | C Major | 7 | 8B | 146 BPM | ||
| What I'd Say to You | Ty March. | A♭ Major | 8 | 4B | 130 BPM | ||
| Playing With Fire | Hunter Phelps | D Major | 8 | 10B | 111 BPM | ||
| Cut Your Groove | Charlie Worsham | B Major | 8 | 1B | 84 BPM | ||
| Southern Boy (with Jason Aldean) | Jordan Rager | D♭ Major | 3 | 3B | 173 BPM | ||
| Feels Like One of Them | Jordan Rager | A♭ Minor | 8 | 1A | 81 BPM | ||
| There's a Girl | Trent Harmon | G Major | 8 | 9B | 97 BPM | ||
| Good At It | The Roads Below | D♭ Minor | 9 | 12A | 90 BPM | ||
| The Healing | Garrett Jacobs | A♭ Major | 6 | 4B | 78 BPM |