Deborah Brown Quartet, Sylwester Ostrowski, Rob Bargad, Joris Teepe, Newman Taylor Baker's 'Before It Was Fun' had a release date set for November 18, 2016. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Deborah Brown Quartet & Sylwester Ostrowski's "Kansas City Here I Come" album is number 5 out of 10. Before It Was Fun is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Before It Was Fun by Deborah Brown Quartet, Sylwester Ostrowski, Rob Bargad, Joris Teepe, Newman Taylor Baker to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Regrets | Veronica Swift | C Minor | 4 | 5A | 206 BPM | ||
| In Between Moments | Fredo Kopi | C Major | 1 | 8B | 93 BPM | ||
| You Called Me Baby, but Baby You Didn't Call | Lulu Leloup | F Minor | 6 | 4A | 124 BPM | ||
| Begin the Beguine | Maarten Hogenhuis | G Minor | 7 | 6A | 120 BPM | ||
| Luces del recuerdo | Ryzon Sound | G Minor | 7 | 6A | 120 BPM | ||
| Blue In Green | Noa Levy, Paul Edis | G Minor | 7 | 6A | 120 BPM | ||
| Loves Melody | Crimson Beats | D♭ Major | 5 | 3B | 106 BPM | ||
| Valium and Soda Pop | Goat | F Major | 6 | 7B | 108 BPM | ||
| Hold On | Mark Winkler | D♭ Major | 3 | 3B | 112 BPM | ||
| Yardarm Lights | Fifth Bar | G Minor | 7 | 6A | 120 BPM | ||
| Lonely Heart Detour | Roderick Harper | G Minor | 7 | 6A | 120 BPM | ||
| Somedays | Felixhatz | G Minor | 7 | 6A | 120 BPM | ||
| Get Home Safe | Jazmine Fontaine | B♭ Minor | 4 | 3A | 107 BPM | ||
| Good Old Jazz | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | B♭ Major | 2 | 6B | 189 BPM | ||
| The Heart Of Winter | A Jazz Story | G Minor | 7 | 6A | 120 BPM | ||
| Feeling Low | Osxie | G Minor | 7 | 6A | 120 BPM | ||
| She's Leaving Home | Johanna Linnea Jakobsson, Robin Petersson, Anders Fjeldsted, Gustaf Rosenberg, John Fernold | E♭ Major | 2 | 5B | 84 BPM | ||
| Nice'N'Easy | Térez Montcalm | A Major | 3 | 11B | 99 BPM | ||
| When Autumn Calls | Sandra-Mae Lux | E♭ Major | 2 | 5B | 124 BPM | ||
| Waitin’ For The Train To Come In | Catherine Russell, Sean Mason | C Major | 2 | 8B | 74 BPM | ||
| Canvas of Sound | Jazz Sax | F Minor | 5 | 4A | 92 BPM | ||
| How Deep Is the Ocean | Ellas Kapell | G Minor | 7 | 6A | 120 BPM | ||
| Nothing At All | Kelly Green | A Major | 2 | 11B | 87 BPM | ||
| Mabel | Cecil L. Recchia, David Grebil, Raphaël Dever, Noé Huchard, Malo Mazurié | G Minor | 7 | 6A | 120 BPM | ||
| Amber Before Dawn | Milo Crescent | G Minor | 7 | 6A | 120 BPM |