"When All Hope Is Lost" by Reductio had its release date on January 23, 2026. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 11 in Downside by Reductio. When All Hope Is Lost is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of When All Hope Is Lost by Reductio is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transit | Klaus Sahm, Lisa Buchholz | F Minor | 1 | 4A | 70 BPM | ||
| Atonement | David John Hicken, David Hicken | C Minor | 3 | 5A | 133 BPM | ||
| Soul of my Saviour | Reductio | D Major | 3 | 10B | 70 BPM | ||
| Never Enough | Aleksey Voron | A Major | 1 | 11B | 69 BPM | ||
| Moments In Time | Ory | C Minor | 2 | 5A | 72 BPM | ||
| I Want The World | David Izna | C Major | 3 | 8B | 72 BPM | ||
| I Could Be The One - Organ Version | Reductio | D Major | 2 | 10B | 73 BPM | ||
| Beltrami: The Spirit of Sport: Jack Nicklaus | Marco Beltrami, Leonard Slatkin, Los Angeles Film Orchestra | D♭ Major | 3 | 3B | 80 BPM | ||
| Our New World | Bonnie Grace | C Major | 4 | 8B | 107 BPM | ||
| The Most Emotional Tron Music You've Never Heard | Tommy Lucas | A Major | 2 | 11B | 120 BPM | ||
| Vierne: 24 Pièces de fantaisie, Suite No. 3, Op. 54: VI. Carillon de Westminster | Louis Vierne, Vincent Dubois | C Major | 3 | 8B | 71 BPM | ||
| A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Jisas Yu Holem Hand Blong Mi (The Thin Red Line) | C13 | B♭ Major | 2 | 6B | 75 BPM | ||
| Talavera | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
| Fanfare & Harm. 'Praise to the Lord, the Almighty' | Paul Fey | D Major | 2 | 10B | 66 BPM | ||
| All for One | Tristan Barton | D Minor | 4 | 7A | 81 BPM | ||
| Liminal | Near The Parenthesis | C Major | 3 | 8B | 72 BPM | ||
| The Grave - Slow Version | Daniel Ciurlizza | C Major | 3 | 8B | 72 BPM | ||
| The Ticking Heart | Jo Wandrini | D Major | 6 | 10B | 108 BPM | ||
| Don’t Stop Believin’ | Constanze Hochwartner | D♭ Minor | 3 | 12A | 126 BPM | ||
| Ascension | Matthew Walters, Reductio | B Minor | 2 | 10A | 74 BPM | ||
| Paint It Black (From "Wednesday") - Organ Version | Antonius Tertius | D Minor | 1 | 7A | 174 BPM | ||
| The Last Ascent | David Buckley | C Major | 3 | 8B | 72 BPM | ||
| Warren Suite X. Ghosts in White Dress | Angus MacRae | C Major | 3 | 8B | 72 BPM | ||
| Monarch's Requiem | David Eman, Pandora Journey | B♭ Minor | 3 | 3A | 120 BPM |