"Making It Real" by Danny Elfman had its release date on February 10, 2017. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Making It Real's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 19 in Fifty Shades Darker (Original Motion Picture Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Making It Real's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Making It Real by Danny Elfman is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Council | Joseph Trapanese | A Minor | 3 | 8A | 164 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Mementum | Max Richter | F Minor | 3 | 4A | 104 BPM | ||
| Destiny on Culloden Moor | Bear McCreary | D Minor | 2 | 7A | 110 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| Pillow Talking | Clint Mansell | A Minor | 0 | 8A | 204 BPM | ||
| Addicted to a Certain Lifestyle | David Arnold, Michael Price | A Minor | 1 | 8A | 63 BPM | ||
| Ana's Theme - From "Fifty Shades Of Grey" Score | Danny Elfman | B Minor | 0 | 10A | 100 BPM | ||
| Counting the Sand of the Sea | Stanton Lanier | B♭ Major | 0 | 6B | 114 BPM | ||
| Yes! | Danny Elfman | F Major | 2 | 7B | 146 BPM | ||
| Ana And Christian - From The "Fifty Shades Of Grey" Score | Danny Elfman | F Minor | 4 | 4A | 75 BPM | ||
| Sugarcoat the Galaxy (End Title) | Thomas Newman | D Minor | 5 | 7A | 109 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| Attend to Our Ghosts | J.J. Pfeifer | C Major | 2 | 8B | 87 BPM | ||
| Clare De Lune (Theme From Twilight) | Edward Cullen | D♭ Major | 0 | 3B | 164 BPM | ||
| Sacred Mountain | Stanton Lanier | F Major | 1 | 7B | 210 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Love of My Life | Anne Dudley, The Chamber Orchestra Of London | B Major | 1 | 1B | 143 BPM | ||
| Estrada | Rui Massena | D Major | 2 | 10B | 132 BPM | ||
| Come On Back | Shungudzo | D♭ Minor | 6 | 12A | 118 BPM | ||
| Theme From 27 Dresses | Randy Edelman | F Major | 1 | 7B | 124 BPM | ||
| Going Gets Rough | Danny Elfman | D Minor | 1 | 7A | 75 BPM | ||
| For Better or for Worse | Blake Neely | D Minor | 0 | 7A | 81 BPM | ||
| A Dangerous Path | The Chamber Orchestra Of London | G Minor | 2 | 6A | 80 BPM | ||
| Going For Coffee - From "Fifty Shades Of Grey" Score | Danny Elfman | A♭ Major | 1 | 4B | 82 BPM |