On November 4, 2025, the song "Aaj More Baisa Ro Mandiyo Byav" was released by Raghu Rana Thadiya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Aaj More Baisa Ro Mandiyo Byav and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aaj More Baisa Ro Mandiyo Byav's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aaj More Baisa Ro Mandiyo Byav by Raghu Rana Thadiya is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| gunti khole ne bare kad binjara | Anita Jangid | D♭ Minor | 4 | 12A | 89 BPM | ||
| Vhari O Jalori Raja - Songara Momaji Bhajan | Suresh Lohar | F♯ Minor | 8 | 11A | 100 BPM | ||
| Ek Tarfa Pyar Rahi Gaya (feat. Bhushan Bhamre) | Bhushan Bhamre, Prashant Desale | A♭ Major | 7 | 4B | 150 BPM | ||
| Samay Ko Mol Hai | Shyam Paliwal | B♭ Major | 8 | 6B | 170 BPM | ||
| Bhaj Lo Aaiji Ro Naam | Anita Jangid | B♭ Major | 7 | 6B | 85 BPM | ||
| Mahri Jodi Ro Sadhu Nahi MIliyo Mari Heli | Anita Jangid | D Major | 7 | 10B | 81 BPM | ||
| Dharti Ra Dhaniyo Momaji | Jogaram Prajapat | B♭ Major | 8 | 6B | 100 BPM | ||
| Hindola Ghalai Du | Pramod Tripathi, Neelanshi Sharma | B♭ Minor | 7 | 3A | 144 BPM | ||
| Poorna Malya Chho Akshardhami.. | HariPrabodham Mumbai | G Major | 5 | 9B | 128 BPM | ||
| Gurudev Kahe Sun Chela | Usha Goswami | A Major | 9 | 11B | 82 BPM | ||
| Pehli Nazar | Reverb Records | D♭ Major | 6 | 3B | 93 BPM | ||
| Nanda Dat Ja Re | Balli Mohanwadi, Pooja Dotasara | A♭ Major | 7 | 4B | 140 BPM | ||
| Dirghoshash | Parvez Khan | A♭ Major | 5 | 4B | 76 BPM | ||
| Duniya Hai Khel Tamasha | Budhman Sanyasi | D Major | 9 | 10B | 170 BPM | ||
| Chala Kafila Kanwari | Pawan Pilania | E Minor | 8 | 9A | 138 BPM | ||
| Ali Ali | Haider Ali, Sabri Sisters | A Major | 8 | 11B | 140 BPM | ||
| Yemi Leni Yemuladanana Rajanna | Kamepally Bhaskar | F♯ Major | 7 | 2B | 72 BPM | ||
| Maya Baraiya Re Bondhu | Parvez Khan | D♭ Major | 6 | 3B | 84 BPM | ||
| Purple Color Lage Jor Ghano | Gopal Giri Goswami | A Major | 9 | 11B | 105 BPM | ||
| Soite Pari Na Re Doyal Re | Miraj Khan | F♯ Minor | 4 | 11A | 120 BPM | ||
| Baisa Ra Dab Dab Bhariya Nain | Raghu Rana Thadiya | B Major | 5 | 1B | 75 BPM | ||
| Kakery | Latif Nangarhari | B Minor | 7 | 10A | 108 BPM | ||
| BAHIRIDEV | Arpan Kuthe | F♯ Major | 8 | 2B | 75 BPM | ||
| Ambapur Avtar Liyo Maa | Chhagan Dewasi, Anita Jangid | E Major | 9 | 12B | 86 BPM | ||
| Banna Ro Jivdo Ni Lage Videsho Me | Raghu Rana Thadiya | D♭ Minor | 4 | 12A | 89 BPM |