Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner's 'The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo' had a release date set for January 1, 1970. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: The Four Seasons by Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner. The song's track number on the album is #11 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo by Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Four Seasons, Winter, Violin Concerto in F Minor, RV 297, Op. 8 No. 4: II. Largo being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Celia Nicklin, George Malcolm, Kenneth Sillito, Mark Bennett, Philip Pickett | E Major | 1 | 12B | 106 BPM | ||
| 12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 3 in F Major for solo violin, RV293 "L'Autunno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | C Major | 2 | 8B | 152 BPM | ||
| Bassoon Concerto No. 2 in A Minor, RV 498 (Ed. Hogwood): II. Larghetto | Antonio Vivaldi, Martin Gatt, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 134 BPM | ||
| Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno": 2. Largo | Antonio Vivaldi, Catherine Mackintosh, Nigel North, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 75 BPM | ||
| Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
| Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: IV. Carillon (Allegretto moderato) | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM | ||
| Serenade for strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 97 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Karelia Suite, Op.11: 2. Ballade (Tempo di menuetto) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner, Barry Davis | A Minor | 0 | 8A | 69 BPM | ||
| Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 3. Allegro | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | D Minor | 4 | 7A | 106 BPM | ||
| Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Henryk Szeryng, Michala Petri, Elisabeth Selin, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 138 BPM | ||
| Serenade für Streichinstrumente in E Major, Op.22: I. Moderato | Slowakisches Kammerorchester, Bohdan Warchal | E Major | 0 | 12B | 84 BPM | ||
| Flute Concerto in G Major: I. Allegro non molto | Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Serse / Act 1: "Ombra mai fù" | George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page | F Major | 1 | 7B | 70 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 71 BPM | ||
| Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
| Cello Concerto in E minor, Op. 85: 3. Adagio | Edward Elgar, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 1 | 6B | 79 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Deborah Norman, Sarah Fox | A Major | 2 | 11B | 100 BPM | ||
| Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
| Bizet / Orch. Guiraud: Suite No. 2 de L'Arlésienne: IV. Farandole | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 5 | 10B | 77 BPM | ||
| Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Orchestral Version) | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: III. Siciliano | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 87 BPM |