"The Convert, Act II Scene 11b: Kaddish" by Wim Henderickx, Amel Brahim-Djelloul, Françoise Atlan, Luvuyo Mbundu, Symfonisch Orkest Opera Ballet Vlaanderen, Koen Kessels had its release date on March 21, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wim Henderickx, Koen Kessels, Symfonisch Orkest Opera Ballet Vlaanderen, Lore Binon's "Henderickx: The Convert" album is number 32 out of 32. The Convert, Act II Scene 11b: Kaddish is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Convert, Act II Scene 11b: Kaddish by Wim Henderickx, Amel Brahim-Djelloul, Françoise Atlan, Luvuyo Mbundu, Symfonisch Orkest Opera Ballet Vlaanderen, Koen Kessels to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hymn of the Pearl | Kevin Anthony, BYU Singers, Andrew Crane | D♭ Major | 2 | 3B | 180 BPM | ||
| Come again, sweet love doth now invite | John Dowland, Ruby Hughes, Jonas Nordberg | D♭ Major | 2 | 3B | 180 BPM | ||
| Night Prayer | Alec Roth, The Gesualdo Six, Owain Park, Matilda Lloyd | A Minor | 1 | 8A | 86 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | D♭ Major | 2 | 3B | 180 BPM | ||
| Hymn of the Cherubim from Liturgy of St. John Chrysostom | Kammerkoret Aurum | D Minor | 0 | 7A | 78 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| In Deep Silence III: III. Lento assai | Wim Henderickx, Boho Strings, David Ramael | B♭ Major | 0 | 6B | 76 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Souvenirs de Bach - Taylor-carillon Peperbus Zwolle The Netherlands | Martien van der Knijff | D♭ Minor | 1 | 12A | 72 BPM | ||
| Daughter of the Vine (2024) | Diederik van der Laag, Oleksii Shamrytskyi, Sophia Chamber Choir | E Minor | 1 | 9A | 69 BPM | ||
| Bridge of Darling | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Jackie Vanguast | C Minor | 1 | 5A | 69 BPM | ||
| Cyclus 4: I. Introduction | Wim Henderickx, Muziektheater Transparant, Hermes Ensemble | B Minor | 1 | 10A | 70 BPM | ||
| Der Schwan | Diederik van der Laag, Sophia Chamber Choir, Oleksii Shamrytskyi | F Minor | 1 | 4A | 73 BPM | ||
| Vater unser im himmelreich | Valentin Schumann, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 67 BPM | ||
| Havoun Havoun | Tigran Hamasyan, Yerevan State Chamber Choir, Harutyun Topikyan | B Minor | 0 | 10A | 137 BPM | ||
| Cantus Praeclarus | Queen of Apostles, Capella Gregoriana, The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | D Minor | 1 | 7A | 144 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 14. Percussion Interlude | Brian Dean Morales, Torrel Moss | D♭ Major | 2 | 3B | 180 BPM | ||
| Les Eaux célestes: I. Tisser les nuages | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | B Minor | 1 | 10A | 133 BPM | ||
| Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
| Sacred Places III - Parvati, the Remover of Bad Energy: II. Ritual | Wim Henderickx, Wim Van Hasselt, Koen Plaetinck | D♭ Major | 2 | 3B | 113 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio - Finale | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Kinchi | aylalamanchi | A Minor | 0 | 8A | 146 BPM | ||
| L’ombre d'un doute: II. La Messagère | Philippe Hersant, Lucile Boulanger | A♭ Major | 0 | 4B | 169 BPM |