Scott Krippayne's ' "All Praise to God" was released on its scheduled release date, February 19, 2013. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Scott Krippayne's "Hymns" album is number 10 out of 16. All Praise to God is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of All Praise to God by Scott Krippayne to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Warriors of Light | Afterglow | F Major | 3 | 7B | 85 BPM | ||
| Jesus Christ Is Risen Today | Scott Krippayne | F Major | 2 | 7B | 115 BPM | ||
| Glorious | Beyond 5 | G Major | 2 | 9B | 144 BPM | ||
| Mended | Watermark | B Major | 2 | 1B | 77 BPM | ||
| Good To Be Free | FFH | F♯ Minor | 8 | 11A | 188 BPM | ||
| I Am A Child Of God / I Have A Savior | Ryan Maag | C Major | 2 | 8B | 130 BPM | ||
| Invade | Watermark | A Major | 7 | 11B | 84 BPM | ||
| God Be With You Till We Meet Again | Daniel Beck | G Major | 1 | 9B | 51 BPM | ||
| Come And Fill This Place - From This Day On Album Version | Al Denson | F Major | 3 | 7B | 83 BPM | ||
| Cover Me | Bebo Norman | E Major | 5 | 12B | 172 BPM | ||
| The Line Between The Two | Mark Harris | C Major | 8 | 8B | 146 BPM | ||
| Twenty-Three | Scott Krippayne | C Major | 2 | 8B | 98 BPM | ||
| New Song | Scott Krippayne | B Major | 9 | 1B | 140 BPM | ||
| Homeward Bound | Jericho Road | E Major | 4 | 12B | 168 BPM | ||
| Calmer of the Storm | Downhere | A♭ Major | 3 | 4B | 128 BPM | ||
| The Right Place | Beyond 5 | B♭ Major | 8 | 6B | 168 BPM | ||
| The Day Dawn Is Breaking | Truman Brothers | G Major | 2 | 9B | 136 BPM | ||
| Be Still and Know | Hannah Kerr, Mark Hall | C Major | 2 | 8B | 131 BPM | ||
| The Purest Place (featuring Tim Hughes) | Watermark | E♭ Major | 4 | 5B | 81 BPM | ||
| Better Than a Hallelujah | Mercy River | E♭ Major | 2 | 5B | 109 BPM | ||
| That's How I'll Be | Kylee Shaffer, Malorie Ward | F♯ Major | 6 | 2B | 150 BPM | ||
| Stricken Smitten and Afflicted | Scott Krippayne | G Minor | 2 | 6A | 97 BPM | ||
| The Word | Sara Groves | F Major | 7 | 7B | 115 BPM | ||
| His Name | Claire Westcott | E♭ Major | 3 | 5B | 78 BPM | ||
| I Need You | The Swift | F Major | 4 | 7B | 116 BPM |